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	<title>Below the Line &#187; Mark London Williams</title>
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	<description>Voice of the Crew</description>
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		<title>Contender – Visual Effects Supervisor Matthew Butler, Transformers: Dark of the Moon</title>
		<link>http://www.btlnews.com/awards/contender-visual-effects-supervisor-matthew-butler-transformers-dark-of-the-moon/</link>
		<comments>http://www.btlnews.com/awards/contender-visual-effects-supervisor-matthew-butler-transformers-dark-of-the-moon/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 16:58:13 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Visual FX]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24752</guid>
		<description><![CDATA[<strong>Digital Domain</strong>’s <strong>Matthew Butler</strong> finds himself with his first Academy Award nomination, one of the co-VFX supervisors on <em>Transformers: Dark of the Moon</em>, along with <strong>Scott Farrar</strong>, who suped for <strong>ILM</strong>’s share of the work, and special effects supervisor <strong>John Frazier</strong>. Animation director <strong>Scott</strong> <strong>Benza</strong> rounds out the quartet.]]></description>
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		<title>Contender – Visual Effects Supervisor Erik Nash, Real Steel</title>
		<link>http://www.btlnews.com/awards/contender-%e2%80%93-visual-effects-supervisor-erik-nash-real-steel/</link>
		<comments>http://www.btlnews.com/awards/contender-%e2%80%93-visual-effects-supervisor-erik-nash-real-steel/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 16:55:43 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Visual FX]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24619</guid>
		<description><![CDATA[In Oscar’s “final five” in the visual effects category, <strong>Erik Nash</strong> finds himself nominated as the VFX supervisor for the robotic fisticuffs opus, <em>Real Steel</em>, along with very busy animatronic supevisor <strong>John Rosengrant</strong>, animation supervisor <strong>Dan Taylor</strong>, and digital effects supervisor <strong>Swen Gillbert</strong>.]]></description>
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		<title>Academy Award Nominations</title>
		<link>http://www.btlnews.com/awards/academy-award-nominations/</link>
		<comments>http://www.btlnews.com/awards/academy-award-nominations/#comments</comments>
		<pubDate>Tue, 24 Jan 2012 12:09:28 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Crafts]]></category>
		<category><![CDATA[Events]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24407</guid>
		<description><![CDATA[And so here we are, on State of the Union day, as – on America’s other coast – Oscar nominations are announced and a different media frenzy begins. Which might be more fatuous or less serious, we leave to you.

But both processes are similar, as early caucuses and primaries – in this case, other pre-Oscar award shows – help solidify favorites ahead of the “final vote,” which usually comes down to a frontrunner and a main alternate.]]></description>
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		<title>Local 44 Members Join BTL’s Production Listings Discount Program</title>
		<link>http://www.btlnews.com/commentary/union-roundup/local-44-members-join-btl%e2%80%99s-production-listings-discount-program/</link>
		<comments>http://www.btlnews.com/commentary/union-roundup/local-44-members-join-btl%e2%80%99s-production-listings-discount-program/#comments</comments>
		<pubDate>Tue, 17 Jan 2012 16:57:27 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Community]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Union Roundup]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24167</guid>
		<description><![CDATA[<strong>Local 44</strong>’s business agent <strong>Ed Brown</strong> and secretary-treasurer <strong>Anthony Pawluc</strong> recently invited <strong>Patrick Graham</strong>, owner of leading film industry publication <em>Below the Line</em> to Local 44's annual Holiday Retirees Luncheon, in order to negotiate final details for Local 44 members to take advantage of <em>Below the Line</em>’s popular Production Listings Discount Program. ]]></description>
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		<title>The Year in Visual Effects</title>
		<link>http://www.btlnews.com/awards/the-year-in-visual-effects/</link>
		<comments>http://www.btlnews.com/awards/the-year-in-visual-effects/#comments</comments>
		<pubDate>Wed, 11 Jan 2012 16:56:21 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[For Your Consideration]]></category>
		<category><![CDATA[Visual FX]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=23833</guid>
		<description><![CDATA[Ah, those digits. On computers tracking finances and trading commodity futures, they weaken the Euro, send gas prices higher, and create all manner of mischief. But in computers creating century-old Parisian landscapes, World Wars, and highly sympathetic revolutionary apes, among other imaginings, they create the very stuff of box office receipts and critical plaudits. And for a handful of them on VES and Oscar nights, they manifest award statues as well.]]></description>
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		<title>Contender – Visual Effects Supervisor Rob Legato, Hugo</title>
		<link>http://www.btlnews.com/awards/contender-portfolios/contender-visual-effects-supervisor-rob-legato-hugo/</link>
		<comments>http://www.btlnews.com/awards/contender-portfolios/contender-visual-effects-supervisor-rob-legato-hugo/#comments</comments>
		<pubDate>Fri, 06 Jan 2012 17:00:50 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Visual FX]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=23590</guid>
		<description><![CDATA[Generally, if <strong>Rob Legato</strong>’s been working on something, he emerges in the contender conversation – which seems to happen every other year or so. There were the special and visual effects for <strong>Scorcese</strong>’s <em>The Aviator</em>, followed by <em>The Departed</em>, after which he headed off to set up a pipeline for this new <strong>James Cameron</strong> project called <em>Avatar</em>.]]></description>
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		<title>Contender – Visual Effects Supervisor Tim Burke, Harry Potter and the Deathly Hallows</title>
		<link>http://www.btlnews.com/awards/contender-visual-effects-supervisor-tim-burke-harry-potter-and-the-deathly-hallows/</link>
		<comments>http://www.btlnews.com/awards/contender-visual-effects-supervisor-tim-burke-harry-potter-and-the-deathly-hallows/#comments</comments>
		<pubDate>Wed, 04 Jan 2012 16:57:30 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Visual FX]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=23466</guid>
		<description><![CDATA[<strong>Tim Burke</strong> first boarded the Hogwarts Express for the second film in the <em>Harry Potter</em> series, <em>The Chamber of Secrets</em>, signing on as a VFX supervisor for post-house <strong>The</strong> <strong>Mill</strong>. Since then, he’s worked in supervisorial roles in all subsequent installments, rising to senior visual effects supervisor for the franchise’s two-part finale, <em>Harry Potter</em> <em>and the Deathly Hallows</em>.]]></description>
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		<title>Contender – Director of Photography Jeff Cronenweth, The Girl with the Dragon Tattoo</title>
		<link>http://www.btlnews.com/awards/contender-director-of-photography-jeff-cronenweth-the-girl-with-the-dragon-tattoo/</link>
		<comments>http://www.btlnews.com/awards/contender-director-of-photography-jeff-cronenweth-the-girl-with-the-dragon-tattoo/#comments</comments>
		<pubDate>Fri, 16 Dec 2011 16:56:30 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Camera]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=22428</guid>
		<description><![CDATA[You might think that DP <strong>Jeff Cronenweth</strong>, having worked with director <strong>David Fincher </strong>on <em>Fight Club</em>, and garnering Oscar and ASC nods with the same director for his work on <em>The Social Network</em> was automatically set to shoot the American adaptation of <em>The Girl</em> <em>with the Dragoon Tattoo</em>.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Union Roundup: Communal Christmas</title>
		<link>http://www.btlnews.com/commentary/union-roundup/union-roundup-communal-christmas/</link>
		<comments>http://www.btlnews.com/commentary/union-roundup/union-roundup-communal-christmas/#comments</comments>
		<pubDate>Thu, 15 Dec 2011 16:45:25 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Community]]></category>
		<category><![CDATA[Events]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Union Roundup]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=22369</guid>
		<description><![CDATA[So there we were, on a Thursday mid-morning – <em>Below the Line</em>’s big giant head, <strong>Patrick Graham</strong>, and truly yours –  libations already in hand, a plate of turkey, gravy and fixin’s in our near future. We were guests of <strong>IA Local 44</strong> – Hollywood’s property craftspersons – at their annual Christmas party given for retirees.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>Union Roundup: Home Invasions</title>
		<link>http://www.btlnews.com/crafts/union-roundup-home-invasions/</link>
		<comments>http://www.btlnews.com/crafts/union-roundup-home-invasions/#comments</comments>
		<pubDate>Tue, 06 Dec 2011 16:57:51 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Community]]></category>
		<category><![CDATA[Crafts]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Union Roundup]]></category>
		<category><![CDATA[Day 1]]></category>
		<category><![CDATA[Saved]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=21921</guid>
		<description><![CDATA[It was a home invasion of the best kind... On a recent cold and blustery December Saturday, members of <strong>IA Locals</strong> including <strong>44</strong>, <strong>729 </strong>and <strong>700</strong>, <strong>Teamsters 399</strong>, retirees, producers, and kin of the above, all descended on the home of location manager <strong>George</strong> <strong>Herthel</strong> and his wife <strong>Pam Boroski</strong>.  George had become a client of the <strong>Motion Picture and Television Fund</strong>’s Palliative Care program, which provides relief of suffering “and achievement of the best possible quality of life for patients with advanced illness, and their families.”]]></description>
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