<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Below the Line &#187; Mark London Williams</title>
	<atom:link href="http://www.btlnews.com/author/mark-williams/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.btlnews.com</link>
	<description>Voice of the Crew</description>
	<lastBuildDate>Fri, 30 Jul 2010 19:07:28 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=abc</generator>
		<item>
		<title>Burton in Wonderland</title>
		<link>http://www.btlnews.com/crafts/visual-fx/burton-in-wonderland/</link>
		<comments>http://www.btlnews.com/crafts/visual-fx/burton-in-wonderland/#comments</comments>
		<pubDate>Tue, 16 Mar 2010 18:06:29 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Post Supervisor Series]]></category>
		<category><![CDATA[Visual FX]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=10552</guid>
		<description><![CDATA[It's not every film that's big enough to warrant three separate visual FX supervisors, but Tim Burton's <em>Alice in Wonderland</em>, Disney's not-a-remake revisiting of material they last brought to screen in 50's-era animation, apparently nibbled the cake that said "Eat Me," and became that big.]]></description>
		<wfw:commentRss>http://www.btlnews.com/crafts/visual-fx/burton-in-wonderland/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Men Who Stare At Monitors</title>
		<link>http://www.btlnews.com/crafts/post-production/men-who-stare-at-monitors-thomas-j-smith-on-rendering-fx-for-the-men-who-stare-at-goats/</link>
		<comments>http://www.btlnews.com/crafts/post-production/men-who-stare-at-monitors-thomas-j-smith-on-rendering-fx-for-the-men-who-stare-at-goats/#comments</comments>
		<pubDate>Mon, 14 Dec 2009 21:05:08 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Post Supervisor Series]]></category>
		<category><![CDATA[Postproduction]]></category>
		<category><![CDATA[Visual FX]]></category>
		<category><![CDATA[99]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=6810</guid>
		<description><![CDATA[Visual FX supervisor <strong>Thomas J. Smith </strong>has overseen digital effects on pictures where you know you’ll be watching a lot of digital sleight-of-hand, like <em>The League of Extraordinary Gentleman </em>and <em>The Chronicles of Riddick</em>, and also films you wouldn’t immediately expect to be FX heavy, like all three <em>Ocean’s </em>films with <strong>George Clooney</strong>. He found himself in that role again with Clooney, with a film set in other deserts besides downtown Vegas, namely “<em>The Men Who Stare at Goats</em>.”]]></description>
		<wfw:commentRss>http://www.btlnews.com/crafts/post-production/men-who-stare-at-monitors-thomas-j-smith-on-rendering-fx-for-the-men-who-stare-at-goats/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>TV Everywhere—Unions, Not so much</title>
		<link>http://www.btlnews.com/commentary/union-roundup/tv-everywhere%e2%80%94unions-not-so-much/</link>
		<comments>http://www.btlnews.com/commentary/union-roundup/tv-everywhere%e2%80%94unions-not-so-much/#comments</comments>
		<pubDate>Mon, 14 Dec 2009 07:00:02 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Union Roundup]]></category>
		<category><![CDATA[99]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=6780</guid>
		<description><![CDATA[Long time readers of this column (and hey, if that’s you—thanks!), will recall I have written occasionally, (well, at least once), of my annual treks out to Austin where I wear my “book author” hat and pal around with other storytellers of genre fiction. I have a good friend there who, with his wife, is kind enough to put me up, and put up with me.]]></description>
		<wfw:commentRss>http://www.btlnews.com/commentary/union-roundup/tv-everywhere%e2%80%94unions-not-so-much/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Contender – Production Designer, Jess Gonchor, A Serious Man</title>
		<link>http://www.btlnews.com/awards/contender-portfolios/contender-%e2%80%93-production-designer-%e2%80%93-jess-gonchor-a-serious-man/</link>
		<comments>http://www.btlnews.com/awards/contender-portfolios/contender-%e2%80%93-production-designer-%e2%80%93-jess-gonchor-a-serious-man/#comments</comments>
		<pubDate>Sun, 13 Dec 2009 20:00:10 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Production Design]]></category>
		<category><![CDATA[99]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=6816</guid>
		<description><![CDATA[“It always starts with the script,” maintains production designer <strong>Jess Gonchor</strong>, and he’s had some good ones to start with, including the one for <em>No Country For Old Men</em>, which netted him an <strong>Art Directors Guild </strong>Award for Excellence in Production Design. Its follow up, <em>Burn After Reading</em>, gained him a nomination in the same category, and the fact that both of those scripts— and the one that currently makes him one of this year’s contenders—were written by the <strong>Coen Brothers</strong>, is no coincidence.]]></description>
		<wfw:commentRss>http://www.btlnews.com/awards/contender-portfolios/contender-%e2%80%93-production-designer-%e2%80%93-jess-gonchor-a-serious-man/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Long, Slow Process of Bringing Coraline to the Screen</title>
		<link>http://www.btlnews.com/crafts/the-long-slow-process-of-bringing-coraline-to-the-screen/</link>
		<comments>http://www.btlnews.com/crafts/the-long-slow-process-of-bringing-coraline-to-the-screen/#comments</comments>
		<pubDate>Thu, 19 Nov 2009 03:10:00 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Animation]]></category>
		<category><![CDATA[Crafts]]></category>
		<category><![CDATA[Director Series]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[98]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/sean/wordpress/?p=553</guid>
		<description><![CDATA[“It’s difficult to get funding for stop motion,” says director Henry Selick, of trying to finance his projects. That he was previously the director of modern holiday staple The Nightmare Before Christmas tells just how over-cautious—or non-available—production capital must really be. Selick was talking about raising money for Coraline, his adaptation of the Neil Gaiman [...]]]></description>
		<wfw:commentRss>http://www.btlnews.com/crafts/the-long-slow-process-of-bringing-coraline-to-the-screen/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Union Roundup &#8211; November 2009</title>
		<link>http://www.btlnews.com/commentary/union-roundup/union-roundup-2/</link>
		<comments>http://www.btlnews.com/commentary/union-roundup/union-roundup-2/#comments</comments>
		<pubDate>Thu, 19 Nov 2009 03:08:00 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Union Roundup]]></category>
		<category><![CDATA[98]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/sean/wordpress/?p=551</guid>
		<description><![CDATA[“The Writers Guilds of America, West and East mark the passing of Nick Counter, longtime president of the Alliance of Motion Picture and Television Producers, and convey their deepest sympathy to his family,” came the mid-November statement. That was it, pretty much in its entirety, from the WGA. Brevity can be its own statement, one [...]]]></description>
		<wfw:commentRss>http://www.btlnews.com/commentary/union-roundup/union-roundup-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Apocalypse-Almost-Now: Volker Engel and Marc Weigert on World’s End FX in 2012</title>
		<link>http://www.btlnews.com/awards/apocalypse-almost-now-volker-engel-and-marc-weigert-on-world%e2%80%99s-end-fx-in-2012/</link>
		<comments>http://www.btlnews.com/awards/apocalypse-almost-now-volker-engel-and-marc-weigert-on-world%e2%80%99s-end-fx-in-2012/#comments</comments>
		<pubDate>Thu, 19 Nov 2009 03:06:00 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[For Your Consideration]]></category>
		<category><![CDATA[Post Supervisor Series]]></category>
		<category><![CDATA[98]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/sean/wordpress/?p=549</guid>
		<description><![CDATA[At the recent Production Summit thrown by the Visual Effects Society in Marina del Rey, collectively attempting to suss out the future of Hollywood filmmaking in a world both all-digital, and all-outsourced, director Roland Emmerich’s visual effects cohorts, Volker Engel and Marc Weigert—the former supervising VFX on most of his pictures, the latter in charge [...]]]></description>
		<wfw:commentRss>http://www.btlnews.com/awards/apocalypse-almost-now-volker-engel-and-marc-weigert-on-world%e2%80%99s-end-fx-in-2012/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Gorillas or Guerrillas? The Year in FX</title>
		<link>http://www.btlnews.com/awards/gorillas-or-guerillas-the-year-in-fx/</link>
		<comments>http://www.btlnews.com/awards/gorillas-or-guerillas-the-year-in-fx/#comments</comments>
		<pubDate>Thu, 19 Nov 2009 03:04:00 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[For Your Consideration]]></category>
		<category><![CDATA[Visual FX]]></category>
		<category><![CDATA[98]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/sean/wordpress/?p=547</guid>
		<description><![CDATA[Because of our own release schedule for this annual fall “voters’ guide” to the upcoming awards—just call us “Secretaries of the State of the Crew!”—we go to press just as this year’s two 800-pound gorillas of visual effects are hitting screens. The symbolically simian pair is succinctly referred to by VFX supervisor Wojciech Zielinski, whose [...]]]></description>
		<wfw:commentRss>http://www.btlnews.com/awards/gorillas-or-guerillas-the-year-in-fx/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Assessing the Year in Shape Language</title>
		<link>http://www.btlnews.com/awards/assessing-the-year-in-shape-language/</link>
		<comments>http://www.btlnews.com/awards/assessing-the-year-in-shape-language/#comments</comments>
		<pubDate>Thu, 19 Nov 2009 02:54:00 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Crafts]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[For Your Consideration]]></category>
		<category><![CDATA[Production Design]]></category>
		<category><![CDATA[98]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/sean/wordpress/?p=542</guid>
		<description><![CDATA[It’s a good year for production designer Mark Ricker to suss out award finalists in that category (and it’s kissin’ cousin, art direction), since he may find himself in the thick of the awards hunt—on the Academy and guild sides—for his own work channeling both ’60’s-era Paris and the present-day US in Julie &#38; Julia. [...]]]></description>
		<wfw:commentRss>http://www.btlnews.com/awards/assessing-the-year-in-shape-language/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Paul Schraeder The Walker</title>
		<link>http://www.btlnews.com/commentary/director-series/paul-schraeder-the-walker/</link>
		<comments>http://www.btlnews.com/commentary/director-series/paul-schraeder-the-walker/#comments</comments>
		<pubDate>Wed, 18 Nov 2009 06:51:00 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Director Series]]></category>
		<category><![CDATA[Featured]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/sean/wordpress/?p=426</guid>
		<description><![CDATA[The Walker is the most recent film from veteran director and screenwriter Paul Schrader — the third part of what’s referred to as his “lonely man” trilogy, which began with American Gigolo (1980) and continued with Light Sleeper (1992). The Walker is a dark satire about a man on the margins whose importance lies in [...]]]></description>
		<wfw:commentRss>http://www.btlnews.com/commentary/director-series/paul-schraeder-the-walker/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>
