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	<title>Below the Line &#187; Scott Essman</title>
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		<title>30th Anniversary of Raging Bull – The Makeup</title>
		<link>http://www.btlnews.com/news/30th-anniversary-of-raging-bull-%e2%80%93-the-makeup/</link>
		<comments>http://www.btlnews.com/news/30th-anniversary-of-raging-bull-%e2%80%93-the-makeup/#comments</comments>
		<pubDate>Fri, 25 Jun 2010 18:18:10 +0000</pubDate>
		<dc:creator>Scott Essman</dc:creator>
				<category><![CDATA[Makeup]]></category>
		<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=10852</guid>
		<description><![CDATA[In addition to his lengthy career in TV and film, starting as John Chambers’ apprentice in the early 1960s, Michael Westmore served as makeup department head of Star Trek for the franchise’s films and TV shows from 1987 to 2005.  He was nominated for a Best Makeup Academy Award for Star Trek: First Contact in [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<title>Below-The-Line Trends: Hybrid Visual Effects Techniques – The Wolfman</title>
		<link>http://www.btlnews.com/crafts/visual-fx/below-the-line-trends-hybrid-visual-effects-techniques-%e2%80%93-the-wolfman/</link>
		<comments>http://www.btlnews.com/crafts/visual-fx/below-the-line-trends-hybrid-visual-effects-techniques-%e2%80%93-the-wolfman/#comments</comments>
		<pubDate>Thu, 03 Jun 2010 19:07:43 +0000</pubDate>
		<dc:creator>Scott Essman</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Makeup]]></category>
		<category><![CDATA[Visual FX]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=10732</guid>
		<description><![CDATA[As evidenced in films including The Wolfman which many viewers will first see on DVD and Blu-ray Hi-Def in its release on Tuesday June 1, the new modus operandi in visual effects production for feature films includes a hybrid of techniques and the use of several vendors to service all of the needs of a [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>40th Anniversary of Woodstock the Movie</title>
		<link>http://www.btlnews.com/news/40th-anniversary-of-woodstock-the-movie/</link>
		<comments>http://www.btlnews.com/news/40th-anniversary-of-woodstock-the-movie/#comments</comments>
		<pubDate>Fri, 26 Mar 2010 18:40:38 +0000</pubDate>
		<dc:creator>Scott Essman</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=10628</guid>
		<description><![CDATA[Over 40 years ago, an unexpected weekend of film history was made, and no one on earth could have predicted it. Unbelievably, it almost didn&#8217;t even happen. On Aug. 15, 1969, 400,000 people descended on Max Yasgur&#8216;s farm in upstate New York for three days of peace, love and music. In its time, the Woodstock [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Makeup Takes Its 29th Turn at the Academy Awards</title>
		<link>http://www.btlnews.com/awards/makeup-takes-its-29th-turn-at-the-academy-awards/</link>
		<comments>http://www.btlnews.com/awards/makeup-takes-its-29th-turn-at-the-academy-awards/#comments</comments>
		<pubDate>Fri, 12 Mar 2010 00:47:26 +0000</pubDate>
		<dc:creator>Scott Essman</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Makeup]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=10524</guid>
		<description><![CDATA[In the recent round of talk show appearances by actors from the new version of <em>Alice in Wonderland</em>, many of the performers discussed their lengthy stints “getting into costume.”  This is both a travesty and at the same time not surprising.  While costumes have been heralded by cinema onlookers for decades, makeup has only recently been given the respect is has long deserved, both by the Academy of Motion Picture Arts and Sciences, and by people who work in movie making alike.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Rick Baker’s New Wolf</title>
		<link>http://www.btlnews.com/featured/rick-baker%e2%80%99s-new-wolf/</link>
		<comments>http://www.btlnews.com/featured/rick-baker%e2%80%99s-new-wolf/#comments</comments>
		<pubDate>Wed, 10 Feb 2010 19:33:44 +0000</pubDate>
		<dc:creator>Scott Essman</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Makeup]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=9836</guid>
		<description><![CDATA[Throughout his nearly 40-year career, <strong>Rick Baker</strong> has created some of cinema’s most memorable monsters.  The six-time Oscar winner for Best Makeup notably realized one of the greatest horror monsters in movie history with <em>An American Werewolf in London</em>.  Now, thirty years later, he is bringing another lycanthropic creature to the screen with <strong>Universal Pictures</strong>’ remake of the 1941 classic, <em>The Wolf Man</em>.  This 2010 film, called <em>The Wolfman</em>, was originally set to be directed by <strong>Mark Romanek</strong> but ended up being helmed by <strong>Joe Johnston</strong> (<em>Jurassic Park III</em>, <em>The Rocketeer</em>, <em>October Sky</em>).  For the new film, Baker was tasked with creating the main makeup on star <strong>Benicio Del Toro</strong>, who like his predecessor, <strong>Lon Chaney, Jr.</strong>, is cursed with turning into a beast when the moon turns full.  In this candid interview, Baker discusses the process of turning man into wolf.]]></description>
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		<slash:comments>2</slash:comments>
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		<title>Joe Johnston Conjures The Wolfman</title>
		<link>http://www.btlnews.com/commentary/director-series/joe-johnston-conjures-the-wolfman/</link>
		<comments>http://www.btlnews.com/commentary/director-series/joe-johnston-conjures-the-wolfman/#comments</comments>
		<pubDate>Wed, 10 Feb 2010 19:29:54 +0000</pubDate>
		<dc:creator>Scott Essman</dc:creator>
				<category><![CDATA[Direction]]></category>
		<category><![CDATA[Director Series]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=9838</guid>
		<description><![CDATA[Former <strong>Industrial Light and Magic</strong> art director <strong>Joe Johnston </strong>became a feature film director over 20 years ago when he came aboard...]]></description>
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		<slash:comments>3</slash:comments>
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		<title>Annie Awards: A Celebration of Excellence in Animation</title>
		<link>http://www.btlnews.com/awards/annie-awards-a-celebration-of-excellence-in-animation/</link>
		<comments>http://www.btlnews.com/awards/annie-awards-a-celebration-of-excellence-in-animation/#comments</comments>
		<pubDate>Sun, 07 Feb 2010 15:51:18 +0000</pubDate>
		<dc:creator>Scott Essman</dc:creator>
				<category><![CDATA[Animation]]></category>
		<category><![CDATA[Awards]]></category>
		<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=9796</guid>
		<description><![CDATA[The 37th annual Annies, the awards given to excellence in animation by the International Animated Film Society/ASIFA, provided a celebratory if somewhat insular presentation at UCLA’s Royce Hall on Feb. 6. 23 achievement awards from 2009 projects were dispensed for categories including Best Animated Feature Film, for Pixar’s Up, Best Animated Television Production, for Walt [...]]]></description>
		<wfw:commentRss>http://www.btlnews.com/awards/annie-awards-a-celebration-of-excellence-in-animation/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
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		<title>Joe Letteri on the Visual Effects of Avatar</title>
		<link>http://www.btlnews.com/awards/contender-portfolios/joe-letteri-on-the-visual-effects-of-avatar/</link>
		<comments>http://www.btlnews.com/awards/contender-portfolios/joe-letteri-on-the-visual-effects-of-avatar/#comments</comments>
		<pubDate>Fri, 22 Jan 2010 23:19:53 +0000</pubDate>
		<dc:creator>Scott Essman</dc:creator>
				<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Post Supervisor Series]]></category>
		<category><![CDATA[Visual FX]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=9341</guid>
		<description><![CDATA[After supervising visual effects on massive projects such as <strong>Peter Jackson</strong>’s final two films in his <em>Lord of the Rings</em> trilogy, <strong>Stephen Sommers</strong>’ <em>Van Helsing</em>, and Jackson’s <em>King Kong</em>, <strong>Joe Letteri</strong> might have faced an even greater challenge with <strong>James Cameron</strong>’s <em>Avatar</em>. For this newest project, which is winning troves of awards and breaking both worldwide and domestic box office records, Letteri faced supervising effects for a movie that was a predominantly virtual production, with fully-realized computer-generated characters and worlds, on top of being shot in 3D with new camera processes.]]></description>
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		<slash:comments>3</slash:comments>
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		<title>Contender – Best Foreign Film, Warwick Thornton, Samson &amp; Delilah</title>
		<link>http://www.btlnews.com/awards/contender-%e2%80%93-best-foreign-film-warwick-thornton/</link>
		<comments>http://www.btlnews.com/awards/contender-%e2%80%93-best-foreign-film-warwick-thornton/#comments</comments>
		<pubDate>Wed, 20 Jan 2010 19:54:14 +0000</pubDate>
		<dc:creator>Scott Essman</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=9200</guid>
		<description><![CDATA[When one has a view of a culture that comes from within, the common belief is that such a personal view will make for a more authentic cinematic experience. Such is the situation with <strong>Warwick Thornton</strong>’s new film, <em>Samson and Delilah</em>, set in Australia’s outback among its indigenous people. Surely, there have been other films about Aboriginal Australian culture. The issue is that most of them were made by non-Aborigines: <strong>Philip Noyce</strong>’s <em>Rabbit-Proof Fence</em>, <strong>John Hillcoat</strong>’s <em>The Proposition</em> and<strong> Baz Luhrmann</strong>’s <em>Australia</em>.]]></description>
		<wfw:commentRss>http://www.btlnews.com/awards/contender-%e2%80%93-best-foreign-film-warwick-thornton/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>The Making of Avatar</title>
		<link>http://www.btlnews.com/crafts/post-production/the-making-of-avatar/</link>
		<comments>http://www.btlnews.com/crafts/post-production/the-making-of-avatar/#comments</comments>
		<pubDate>Tue, 15 Dec 2009 22:05:56 +0000</pubDate>
		<dc:creator>Scott Essman</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Postproduction]]></category>
		<category><![CDATA[Visual FX]]></category>
		<category><![CDATA[99]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=6765</guid>
		<description><![CDATA[<strong>James Cameron</strong>’s long-awaited epic fantasy <em>Avatar</em> is definitely “titanic” in size and scope. “It’s got a big story—that’s where it starts,” said producer <strong>Jon Landau</strong>, who also produced Cameron’s last film, <em>Titanic</em>. “Jim created a story that called for a world that did not exist. The technology did not exist before <em>Titanic</em>. The technical hurdle was creating the closeup. In the center of our world, we have CGI characters—and movies are all about the closeup.”]]></description>
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		<slash:comments>6</slash:comments>
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