<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Below the Line &#187; Scott Essman</title>
	<atom:link href="http://www.btlnews.com/author/scott-essman/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.btlnews.com</link>
	<description>Voice of the Crew</description>
	<lastBuildDate>Tue, 07 Feb 2012 20:12:16 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=abc</generator>
		<item>
		<title>A Level Playing Field at the 2012 Annies</title>
		<link>http://www.btlnews.com/awards/a-level-playing-field-at-the-2012-annies/</link>
		<comments>http://www.btlnews.com/awards/a-level-playing-field-at-the-2012-annies/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 16:58:20 +0000</pubDate>
		<dc:creator>Scott Essman</dc:creator>
				<category><![CDATA[Animation]]></category>
		<category><![CDATA[Awards]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Television]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=25001</guid>
		<description><![CDATA[After great controversy over the domination of a select few companies at the 2010 Annies, the <strong>International Animated Film Society</strong> presented a more egalitarian approach at the 2012 awards.   <strong>ASIFA – Hollywood</strong> offered entries from many companies in many categories at the Feb. 4 awards show, which had been criticized for being relegated to only a few firms garnering top wins previously.  While <strong>DreamWorks Animation</strong>, <strong>Pixar</strong> and <strong>Disney</strong> still reign as top box-office earners with their productions, and <em>The Simpsons</em> is still a lauded and steadily awarded TV show, other lesser-known companies managed to gain due attention, both in individual nominated and awarded form with the 28 awards given out in 2012.]]></description>
		<wfw:commentRss>http://www.btlnews.com/awards/a-level-playing-field-at-the-2012-annies/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Contender – Editor Joel Cox, J. Edgar</title>
		<link>http://www.btlnews.com/awards/contender-editor-joel-cox-j-edgar/</link>
		<comments>http://www.btlnews.com/awards/contender-editor-joel-cox-j-edgar/#comments</comments>
		<pubDate>Thu, 12 Jan 2012 16:48:32 +0000</pubDate>
		<dc:creator>Scott Essman</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Editing]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=23917</guid>
		<description><![CDATA[How does one collaborate with one of Hollywood’s true legends for so many years on such a wide variety of projects?  Just ask <strong>Joel Cox</strong>, who has edited nearly 40 films in total and has worked with <strong>Clint Eastwood</strong> since the late 1970s.  ]]></description>
		<wfw:commentRss>http://www.btlnews.com/awards/contender-editor-joel-cox-j-edgar/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Banner Year for Special Makeup Effects</title>
		<link>http://www.btlnews.com/awards/for-your-consideration/a-banner-year-for-special-makeup-effects/</link>
		<comments>http://www.btlnews.com/awards/for-your-consideration/a-banner-year-for-special-makeup-effects/#comments</comments>
		<pubDate>Mon, 09 Jan 2012 16:58:47 +0000</pubDate>
		<dc:creator>Scott Essman</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[For Your Consideration]]></category>
		<category><![CDATA[Makeup]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=23678</guid>
		<description><![CDATA[Every autumn in the entertainment industry, the many below-the-line crafts in a year’s films are often under appreciated by a celebrity-oriented press corps, both foreign and domestic, who often seek nothing but a parade of stars come the lengthy awards season.  Yet, the various crafts in a film, with the artists behind those trades, in addition to the unquestionable impact of those fields on the look and sound of a film, are certainly worthy of equal footing to the on-camera talent.  And makeup artistry and hairstyling stand as crucial elements to a film on par with costume design in the presentation of an onscreen actor or actress.]]></description>
		<wfw:commentRss>http://www.btlnews.com/awards/for-your-consideration/a-banner-year-for-special-makeup-effects/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Contender – Makeup Artist Sian Grigg, J. Edgar</title>
		<link>http://www.btlnews.com/awards/contender-makeup-artist-sian-grigg-j-edgar/</link>
		<comments>http://www.btlnews.com/awards/contender-makeup-artist-sian-grigg-j-edgar/#comments</comments>
		<pubDate>Wed, 04 Jan 2012 16:57:46 +0000</pubDate>
		<dc:creator>Scott Essman</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Makeup]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=23468</guid>
		<description><![CDATA[Among the films receiving attention for its makeup and effects is <em>J. Edgar</em>.  The story of founding FBI director <strong>J. Edgar Hoover</strong>, the <strong>Clint Eastwood</strong> film posits the title character at four separate age stages: his early 20s, his mid-30s, his early-40s and his early-70s.  Responsible for mastering these stages was <strong>Leo DiCaprio</strong>’s personal makeup artist, <strong>Sian Grigg</strong>, who has been with the star since <em>Titanic</em>.]]></description>
		<wfw:commentRss>http://www.btlnews.com/awards/contender-makeup-artist-sian-grigg-j-edgar/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Contender – Makeup Artist Julie Hewett, The Artist</title>
		<link>http://www.btlnews.com/awards/contender-makeup-artist-julie-hewett-the-artist/</link>
		<comments>http://www.btlnews.com/awards/contender-makeup-artist-julie-hewett-the-artist/#comments</comments>
		<pubDate>Thu, 15 Dec 2011 16:47:55 +0000</pubDate>
		<dc:creator>Scott Essman</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Makeup]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=22372</guid>
		<description><![CDATA[<strong>Michel Hazanavicius</strong>’ new film, <em>The Artist</em>, brings audiences back to the freewheeling world of silent films in the roaring twenties.  Without question, this black-and-white period film about movies themselves required close attention to detail in all departments including cinematography, costume design and art direction.  But the makeup department had to work just as intensely to create believable appearances for all on-camera performers, notably lead actors <strong>Jean Dujardin</strong> playing silent film star George Valentin and <strong>Bérénice Bejo</strong> playing his muse, the young dancer, Peppy Miller.]]></description>
		<wfw:commentRss>http://www.btlnews.com/awards/contender-makeup-artist-julie-hewett-the-artist/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Contender – Makeup Artist Matthew Mungle, Albert Nobbs</title>
		<link>http://www.btlnews.com/awards/contender-makeup-artist-matthew-mungle-albert-nobbs/</link>
		<comments>http://www.btlnews.com/awards/contender-makeup-artist-matthew-mungle-albert-nobbs/#comments</comments>
		<pubDate>Mon, 12 Dec 2011 16:51:13 +0000</pubDate>
		<dc:creator>Scott Essman</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Crafts]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Industry Sector]]></category>
		<category><![CDATA[Makeup]]></category>
		<category><![CDATA[Day 5]]></category>
		<category><![CDATA[Saved]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=22163</guid>
		<description><![CDATA[Oftentimes, high-quality work in smaller-budgeted films is less recognized come awards season than those films’ older brothers, the big-budget studio tentpoles.  Case in point this year might be <em>Albert</em> <em>Nobbs</em>, both a period and foreign-produced film which manages to create a visceral world onto itself inside of an $8-million budget.  This film is a triumph of costume and production design, cinematography, and direction, with its characters fully inhabiting 19<sup>th</sup> century Ireland.  Not to be discounted among these crafts is the film’s makeup.  In addition to the many period makeups on both men and women in the story, the production was tasked with believably altering the appearances of its two female leads to make them pass as men in a traditionally male working environment.]]></description>
		<wfw:commentRss>http://www.btlnews.com/awards/contender-makeup-artist-matthew-mungle-albert-nobbs/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Scorsese Hails His Below-the-Line Collaborators for the Enchanting Hugo</title>
		<link>http://www.btlnews.com/crafts/scorsese-hails-his-below-the-line-collaborators-for-the-enchanting-hugo/</link>
		<comments>http://www.btlnews.com/crafts/scorsese-hails-his-below-the-line-collaborators-for-the-enchanting-hugo/#comments</comments>
		<pubDate>Mon, 07 Nov 2011 16:24:18 +0000</pubDate>
		<dc:creator>Scott Essman</dc:creator>
				<category><![CDATA[Camera]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Crafts]]></category>
		<category><![CDATA[Direction]]></category>
		<category><![CDATA[Director Series]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Day 2]]></category>
		<category><![CDATA[Saved]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=20951</guid>
		<description><![CDATA[A renowned student of film history and craftsmanship, director <strong>Martin Scorsese </strong>was eager to acknowledge his many collaborators, both present and in name only, for his new fantasy film, <em>Hugo</em> at a special event in Los Angeles on Nov. 5.  Flanked by cinematographer <strong>Robert Richardson</strong>, composer <strong>Howard Shore</strong>, production designer <strong>Dante Ferretti</strong>, editor <strong>Thelma Schoonmaker</strong>, and visual effects supervisor <strong>Robert Legato</strong>, Scorsese described the making of this magical fairy tale, certainly a departure from his métier of personal projects. ]]></description>
		<wfw:commentRss>http://www.btlnews.com/crafts/scorsese-hails-his-below-the-line-collaborators-for-the-enchanting-hugo/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Canon Launches Cinema EOS System</title>
		<link>http://www.btlnews.com/crafts/canon-cinema-eos-leave-no-story-untold/</link>
		<comments>http://www.btlnews.com/crafts/canon-cinema-eos-leave-no-story-untold/#comments</comments>
		<pubDate>Fri, 04 Nov 2011 12:55:59 +0000</pubDate>
		<dc:creator>Scott Essman</dc:creator>
				<category><![CDATA[Camera]]></category>
		<category><![CDATA[Columns]]></category>
		<category><![CDATA[Commercials]]></category>
		<category><![CDATA[Crafts]]></category>
		<category><![CDATA[Facility in Focus]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Gear]]></category>
		<category><![CDATA[Industry Sector]]></category>
		<category><![CDATA[Television]]></category>
		<category><![CDATA[Day 1]]></category>
		<category><![CDATA[Saved]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=20891</guid>
		<description><![CDATA[At a gala spectacle on Nov. 3, 2011, on the <strong>Paramount</strong> lot in Hollywood, <strong>Canon</strong> debuted their C Series lightweight and portable video cameras, featuring the EOS C-300.  This particular camera includes an EF mount system to support EF lenses and EF cinema lenses, but it also has a PL mount.  The compact camera, on display in two large soundstages on the lot, also has a Super 35mm CMOS sensor and 8.3 Megapixels imaging processor which offers special low light performance capabilities.  ]]></description>
		<wfw:commentRss>http://www.btlnews.com/crafts/canon-cinema-eos-leave-no-story-untold/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Titanic To Sail Again in 3D in April, 2012</title>
		<link>http://www.btlnews.com/crafts/post-production/titanic-to-sail-again-in-3d-in-april-2012/</link>
		<comments>http://www.btlnews.com/crafts/post-production/titanic-to-sail-again-in-3d-in-april-2012/#comments</comments>
		<pubDate>Fri, 28 Oct 2011 22:07:37 +0000</pubDate>
		<dc:creator>Scott Essman</dc:creator>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Postproduction]]></category>
		<category><![CDATA[Visual FX]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=20668</guid>
		<description><![CDATA[<em>Titanic</em>, <strong>James Cameron</strong>'s lavish spectacle, released in 1997 and winning 11 of its 14 Oscar nominations, is getting a makeover, courtesy of <strong>Paramount Pictures</strong> and Cameron's <strong>Lightstorm Entertainment</strong>. At Paramount on Oct. 28, Cameron and producer <strong>Jon Landau</strong> unveiled 18 minutes of the film that has been converted to 3D after a complete scan and digital restoration of the original negative to a 4K version. Next April, Paramount will release <em>Titanic </em>in both 3D and 2D formats, and with the advent of the 4K version, the picture quality will be as if the film were just created yesterday, and not 15 years ago.]]></description>
		<wfw:commentRss>http://www.btlnews.com/crafts/post-production/titanic-to-sail-again-in-3d-in-april-2012/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Halloween Comes Early as Horror Runs Amok in Big Bear</title>
		<link>http://www.btlnews.com/crafts/production-design/halloween-comes-early-as-horror-runs-amok-in-big-bear/</link>
		<comments>http://www.btlnews.com/crafts/production-design/halloween-comes-early-as-horror-runs-amok-in-big-bear/#comments</comments>
		<pubDate>Fri, 30 Sep 2011 20:04:47 +0000</pubDate>
		<dc:creator>Scott Essman</dc:creator>
				<category><![CDATA[Art Direction]]></category>
		<category><![CDATA[Events]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Makeup]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Visual FX]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=19723</guid>
		<description><![CDATA[In Southern California, one location offers a rocky lakeside backdrop that might be the setting in a classic '80s slasher film such as <em>Friday The 13th</em>.  The region famously boasts scenery as diverse as mountains, beaches and desert, and what better place to set a horror film festival than a gothic mountainous resort town?  Thus, the <strong>Big Bear Horro-Fi Film Festival</strong> was set up to provide a forum for both established and novice genre filmmakers.  ]]></description>
		<wfw:commentRss>http://www.btlnews.com/crafts/production-design/halloween-comes-early-as-horror-runs-amok-in-big-bear/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>

