http://www.btlnews.com/awards/contender-portfolios/contender-%e2%80%93-cinematographer-barry-ackroyd-the-hurt-locker/ Voice of the Crew Tue, 27 Jul 2010 04:59:35 +0000 hourly 1 http://wordpress.org/?v=abc http://www.btlnews.com/awards/contender-portfolios/contender-%e2%80%93-cinematographer-barry-ackroyd-the-hurt-locker/comment-page-1/#comment-409 Film Festival: A Monday Brain Break | usDemoCrazy Mon, 15 Mar 2010 07:26:12 +0000 http://www.btlnews.com/?p=9325#comment-409 [...] shoots more frames per second than you ever thought imaginable, giving insane detail in slow-mo. It was also used in “The Hurt Locker” to get detail from the intense slow motion [...] [...] shoots more frames per second than you ever thought imaginable, giving insane detail in slow-mo. It was also used in “The Hurt Locker” to get detail from the intense slow motion [...]

]]> http://www.btlnews.com/awards/contender-portfolios/contender-%e2%80%93-cinematographer-barry-ackroyd-the-hurt-locker/comment-page-1/#comment-386 Vision Research Focus Newsletter » Contender – Cinematographer, Barry Ackroyd, The Hurt Locker Mon, 25 Jan 2010 16:04:03 +0000 http://www.btlnews.com/?p=9325#comment-386 [...] During the course of production, over 1 million feet of film was shot using four main cameras. A Phantom digital high-speed camera was used to capture the slow-motion shots that punctuate the film. Continue reading [...] [...] During the course of production, over 1 million feet of film was shot using four main cameras. A Phantom digital high-speed camera was used to capture the slow-motion shots that punctuate the film. Continue reading [...]

]]>