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	<title>Below the Line &#187; Contender Portfolios</title>
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		<title>The Descendants Featurette</title>
		<link>http://www.btlnews.com/awards/the-descendants-featurette/</link>
		<comments>http://www.btlnews.com/awards/the-descendants-featurette/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 16:49:24 +0000</pubDate>
		<dc:creator>Staff</dc:creator>
				<category><![CDATA[Art Direction]]></category>
		<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Costume Design]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24876</guid>
		<description><![CDATA[In this new featurette from <strong>Fox Searchlight</strong>, <em>The Descendants</em>’ production designer <strong>Jane Stewart</strong> and costume designer <strong>Wendy Chuck</strong> discuss their work on the film. Stewart has been nominated for a contemporary film award from the <strong>Art Directors Guild</strong>.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Iran’s Best Foreign Film Nominee: Asghar Farhadi’s A Separation</title>
		<link>http://www.btlnews.com/awards/irans-best-foreign-film-nominee-asghar-farhadis-a-separation/</link>
		<comments>http://www.btlnews.com/awards/irans-best-foreign-film-nominee-asghar-farhadis-a-separation/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 16:58:36 +0000</pubDate>
		<dc:creator>Jack Egan</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Crafts]]></category>
		<category><![CDATA[Direction]]></category>
		<category><![CDATA[Director Series]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24750</guid>
		<description><![CDATA[One of the surprises of this awards season is <em>A Separation</em>, a highly lauded film from Iran that has captivated reviewers and moviegoers and garnered two Oscar nominations. The beautifully photographed movie tells a multi-layered story of a modern-day couple in Tehran who are on the verge of a divorce. The wife wants to move abroad for a better life for their daughter but the husband wants to stay, in part because he won’t leave his father who has advanced Alzheimer’s.]]></description>
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		<title>Contender – Visual Effects Supervisor Matthew Butler, Transformers: Dark of the Moon</title>
		<link>http://www.btlnews.com/awards/contender-visual-effects-supervisor-matthew-butler-transformers-dark-of-the-moon/</link>
		<comments>http://www.btlnews.com/awards/contender-visual-effects-supervisor-matthew-butler-transformers-dark-of-the-moon/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 16:58:13 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Visual FX]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24752</guid>
		<description><![CDATA[<strong>Digital Domain</strong>’s <strong>Matthew Butler</strong> finds himself with his first Academy Award nomination, one of the co-VFX supervisors on <em>Transformers: Dark of the Moon</em>, along with <strong>Scott Farrar</strong>, who suped for <strong>ILM</strong>’s share of the work, and special effects supervisor <strong>John Frazier</strong>. Animation director <strong>Scott</strong> <strong>Benza</strong> rounds out the quartet.]]></description>
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		<title>Contender – Visual Effects Supervisor Erik Nash, Real Steel</title>
		<link>http://www.btlnews.com/awards/contender-%e2%80%93-visual-effects-supervisor-erik-nash-real-steel/</link>
		<comments>http://www.btlnews.com/awards/contender-%e2%80%93-visual-effects-supervisor-erik-nash-real-steel/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 16:55:43 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Visual FX]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24619</guid>
		<description><![CDATA[In Oscar’s “final five” in the visual effects category, <strong>Erik Nash</strong> finds himself nominated as the VFX supervisor for the robotic fisticuffs opus, <em>Real Steel</em>, along with very busy animatronic supevisor <strong>John Rosengrant</strong>, animation supervisor <strong>Dan Taylor</strong>, and digital effects supervisor <strong>Swen Gillbert</strong>.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Lon Bender and Victor Ray Ennis of Soundelux Receive Oscar Nominations for Drive</title>
		<link>http://www.btlnews.com/awards/lon-bender-and-victor-ray-ennis-of-soundelux-receive-oscar-nominations-for-drive/</link>
		<comments>http://www.btlnews.com/awards/lon-bender-and-victor-ray-ennis-of-soundelux-receive-oscar-nominations-for-drive/#comments</comments>
		<pubDate>Wed, 25 Jan 2012 16:52:34 +0000</pubDate>
		<dc:creator>Staff</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Sound]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24540</guid>
		<description><![CDATA[Supervising sound editors <strong>Lon Bender</strong> and <strong>Victor Ray Ennis</strong> of <strong>Soundelux </strong>are among the nominees for best sound editing in the 84th Annual Academy Awards. This is the third Oscar nomination for Bender. He previously won the award, with <strong>Per Hallberg</strong>, in 1996 for <em>Braveheart</em>. This is the first Oscar nomination for Ennis. Winners will be announced Feb. 26 in Los Angeles.]]></description>
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		<title>Contender – Director of Photography Emmanuel Lubezki, The Tree of Life</title>
		<link>http://www.btlnews.com/awards/contender-director-of-photography-emmanuel-lubezki-the-tree-of-life/</link>
		<comments>http://www.btlnews.com/awards/contender-director-of-photography-emmanuel-lubezki-the-tree-of-life/#comments</comments>
		<pubDate>Tue, 24 Jan 2012 12:05:18 +0000</pubDate>
		<dc:creator>Jack Egan</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Camera]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24421</guid>
		<description><![CDATA[“On most films I’ve worked on, the most important thing is to 'make the day,'" (keep to the shooting schedule) says <strong>Emmanuel Lubezki</strong>, director of photography on <em>The Tree</em> <em>of Life</em>, helmed by imagistic director <strong>Terence Malick</strong>. “Working with Terry, sometimes I can shoot a whole day and not know if there’s anything that’s going to be usable.”]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Danish Director Nicolas Windng Refn Pushes Drive into High Gear</title>
		<link>http://www.btlnews.com/awards/danish-director-nicolas-windng-refn-pushes-drive-into-high-gear/</link>
		<comments>http://www.btlnews.com/awards/danish-director-nicolas-windng-refn-pushes-drive-into-high-gear/#comments</comments>
		<pubDate>Mon, 23 Jan 2012 16:51:14 +0000</pubDate>
		<dc:creator>Jack Egan</dc:creator>
				<category><![CDATA[Art Direction]]></category>
		<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Costume Design]]></category>
		<category><![CDATA[Direction]]></category>
		<category><![CDATA[Director Series]]></category>
		<category><![CDATA[Editing]]></category>
		<category><![CDATA[Featured]]></category>
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		<category><![CDATA[Industry Sector]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24336</guid>
		<description><![CDATA[<strong>Nicolas Windng Refn</strong>,<strong> </strong>director of <em>Drive</em>, doesn’t himself drive. He has failed his driver’s license test eight times. Yet the heralded Danish director came to Los Angeles, the city of cars, to make a film filled with some of the most authentic and exciting car chase sequences seen on the screen in years.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Framestore Delivers Equine Digital Doubles for War Horse</title>
		<link>http://www.btlnews.com/awards/contender-portfolios/framestore-delivers-equine-digital-doubles-for-war-horse/</link>
		<comments>http://www.btlnews.com/awards/contender-portfolios/framestore-delivers-equine-digital-doubles-for-war-horse/#comments</comments>
		<pubDate>Mon, 16 Jan 2012 16:52:57 +0000</pubDate>
		<dc:creator>Staff</dc:creator>
				<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Visual FX]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24120</guid>
		<description><![CDATA[<strong>Framestore </strong>recently served as the visual effects for <strong>Stephen Spielberg</strong>’s <em>War Horse</em>, delivering just over 200 shots for the movie.

<em>War Horse</em> tells the story of Joey, a horse born in Devon shortly before the start of the First World War. Belonging to – and beloved by - a young man, Albert Narracott, Joey is sold to the cavalry and shipped to France at the outbreak of war. Joey serves in the British and German armies, which takes him on an extraordinary odyssey, serving on both sides before finding himself alone in No Man's Land. But Albert has not been able to forget Joey and, still not old enough to enlist in the British Army, he has embarked on his own dangerous mission to find the horse and bring him home to Devon.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Stephen Daldry&#8217;s Extremely Loud and Incredibly Close</title>
		<link>http://www.btlnews.com/awards/stephen-daldrys-extremely-loud-and-incredibly-close/</link>
		<comments>http://www.btlnews.com/awards/stephen-daldrys-extremely-loud-and-incredibly-close/#comments</comments>
		<pubDate>Fri, 13 Jan 2012 16:57:59 +0000</pubDate>
		<dc:creator>Mary Ann Skweres</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Direction]]></category>
		<category><![CDATA[Director Series]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24017</guid>
		<description><![CDATA[Once he read the book and script for <em>Extremely Loud and Incredibly Close</em>, it was "very simple" for Academy-Award nominated director <strong>Stephen Daldry</strong> to immediately say yes to directing the film for producer <strong>Scott Rudin</strong>,<strong> </strong>who he had worked with on <em>The Hours.</em> The first decision scriptwise was to see the story primarily through the boy Oskar's point of view, a character with a form of high functioning autism that makes those with the condition experience the world in unusual ways. ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Contender – Production Designer Stuart Craig, Harry Potter and the Deathly Hallows: Part II</title>
		<link>http://www.btlnews.com/awards/contender-production-designer-stuart-craig-harry-potter-and-the-deathly-hallows-part-ii/</link>
		<comments>http://www.btlnews.com/awards/contender-production-designer-stuart-craig-harry-potter-and-the-deathly-hallows-part-ii/#comments</comments>
		<pubDate>Fri, 13 Jan 2012 16:57:37 +0000</pubDate>
		<dc:creator>Leslie Lindeman</dc:creator>
				<category><![CDATA[Art Direction]]></category>
		<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24026</guid>
		<description><![CDATA[It’s been more than a decade since <em>Harry Potter and the Sorcerer’s Stone </em>debuted and now production designer <strong>Stuart Craig</strong> closes the eight-volume book on the series, an “octalogy,” in fact, having designed every movie in the series including 2011’s finale, <em>Harry Potter and</em> <em>the Deathly Hallows: Part II</em>.]]></description>
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