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	<title>Below the Line &#187; Awards</title>
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		<title>Embracing the Digital Divide in a Dazzling year for Cinematography</title>
		<link>http://www.btlnews.com/awards/embracing-the-digital-divide-in-a-dazzling-year-for-cinematography/</link>
		<comments>http://www.btlnews.com/awards/embracing-the-digital-divide-in-a-dazzling-year-for-cinematography/#comments</comments>
		<pubDate>Tue, 07 Feb 2012 16:58:21 +0000</pubDate>
		<dc:creator>Jack Egan</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Camera]]></category>
		<category><![CDATA[Crafts]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[For Your Consideration]]></category>
		<category><![CDATA[Industry Sector]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=25023</guid>
		<description><![CDATA[It’s been a banner year for fans of cinematography in terms of both quality and variety. But motion picture cinematography is also at a crossroads. The film medium, dominant ever since the beginning of moviemaking over a century ago, is on the wane, in large part due to economic pressures.  Meanwhile digital motion picture cameras, though still in their relative infancy, are rapidly evolving in terms of technology, mobility and sophistication.]]></description>
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		<title>Art Directors Guild Honors Production Designers for Hugo, Girl With the Dragon Tattoo and Harry Potter</title>
		<link>http://www.btlnews.com/awards/art-directors-guild-honors-production-designers-for-hugo-girl-with-the-dragon-tattoo-and-harry-potter/</link>
		<comments>http://www.btlnews.com/awards/art-directors-guild-honors-production-designers-for-hugo-girl-with-the-dragon-tattoo-and-harry-potter/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 16:58:42 +0000</pubDate>
		<dc:creator>Jack Egan</dc:creator>
				<category><![CDATA[Art Direction]]></category>
		<category><![CDATA[Awards]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Television]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=25006</guid>
		<description><![CDATA[The production designers for <em>Hugo</em>, <em>The Girl With the Dragon Tattoo </em>and <em>Harry Potter and the Deathly Hallows Part 2</em> won top prizes in the three feature film categories at the 16<sup>th</sup> annual <strong>Art Directors Guild</strong> “Excellence in Production Design” dinner held at the Beverly Hilton Hotel Saturday night.]]></description>
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		<title>A Level Playing Field at the 2012 Annies</title>
		<link>http://www.btlnews.com/awards/a-level-playing-field-at-the-2012-annies/</link>
		<comments>http://www.btlnews.com/awards/a-level-playing-field-at-the-2012-annies/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 16:58:20 +0000</pubDate>
		<dc:creator>Scott Essman</dc:creator>
				<category><![CDATA[Animation]]></category>
		<category><![CDATA[Awards]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Television]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=25001</guid>
		<description><![CDATA[After great controversy over the domination of a select few companies at the 2010 Annies, the <strong>International Animated Film Society</strong> presented a more egalitarian approach at the 2012 awards.   <strong>ASIFA – Hollywood</strong> offered entries from many companies in many categories at the Feb. 4 awards show, which had been criticized for being relegated to only a few firms garnering top wins previously.  While <strong>DreamWorks Animation</strong>, <strong>Pixar</strong> and <strong>Disney</strong> still reign as top box-office earners with their productions, and <em>The Simpsons</em> is still a lauded and steadily awarded TV show, other lesser-known companies managed to gain due attention, both in individual nominated and awarded form with the 28 awards given out in 2012.]]></description>
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		<title>The Descendants Featurette</title>
		<link>http://www.btlnews.com/awards/the-descendants-featurette/</link>
		<comments>http://www.btlnews.com/awards/the-descendants-featurette/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 16:49:24 +0000</pubDate>
		<dc:creator>Staff</dc:creator>
				<category><![CDATA[Art Direction]]></category>
		<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Costume Design]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Morning News]]></category>

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		<description><![CDATA[In this new featurette from <strong>Fox Searchlight</strong>, <em>The Descendants</em>’ production designer <strong>Jane Stewart</strong> and costume designer <strong>Wendy Chuck</strong> discuss their work on the film. Stewart has been nominated for a contemporary film award from the <strong>Art Directors Guild</strong>.]]></description>
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		<title>Iran’s Best Foreign Film Nominee: Asghar Farhadi’s A Separation</title>
		<link>http://www.btlnews.com/awards/irans-best-foreign-film-nominee-asghar-farhadis-a-separation/</link>
		<comments>http://www.btlnews.com/awards/irans-best-foreign-film-nominee-asghar-farhadis-a-separation/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 16:58:36 +0000</pubDate>
		<dc:creator>Jack Egan</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Crafts]]></category>
		<category><![CDATA[Direction]]></category>
		<category><![CDATA[Director Series]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24750</guid>
		<description><![CDATA[One of the surprises of this awards season is <em>A Separation</em>, a highly lauded film from Iran that has captivated reviewers and moviegoers and garnered two Oscar nominations. The beautifully photographed movie tells a multi-layered story of a modern-day couple in Tehran who are on the verge of a divorce. The wife wants to move abroad for a better life for their daughter but the husband wants to stay, in part because he won’t leave his father who has advanced Alzheimer’s.]]></description>
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		<title>Contender – Visual Effects Supervisor Matthew Butler, Transformers: Dark of the Moon</title>
		<link>http://www.btlnews.com/awards/contender-visual-effects-supervisor-matthew-butler-transformers-dark-of-the-moon/</link>
		<comments>http://www.btlnews.com/awards/contender-visual-effects-supervisor-matthew-butler-transformers-dark-of-the-moon/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 16:58:13 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Visual FX]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24752</guid>
		<description><![CDATA[<strong>Digital Domain</strong>’s <strong>Matthew Butler</strong> finds himself with his first Academy Award nomination, one of the co-VFX supervisors on <em>Transformers: Dark of the Moon</em>, along with <strong>Scott Farrar</strong>, who suped for <strong>ILM</strong>’s share of the work, and special effects supervisor <strong>John Frazier</strong>. Animation director <strong>Scott</strong> <strong>Benza</strong> rounds out the quartet.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Michel Hazanavicius Wins DGA Feature Film Award for The Artist</title>
		<link>http://www.btlnews.com/awards/michel-hazanavicius-wins-dga-feature-film-award-for-the-artist/</link>
		<comments>http://www.btlnews.com/awards/michel-hazanavicius-wins-dga-feature-film-award-for-the-artist/#comments</comments>
		<pubDate>Mon, 30 Jan 2012 16:59:02 +0000</pubDate>
		<dc:creator>Staff</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Commercials]]></category>
		<category><![CDATA[Direction]]></category>
		<category><![CDATA[Film]]></category>
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		<category><![CDATA[Television]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24689</guid>
		<description><![CDATA[The winners of the <strong>Directors Guild of America</strong> outstanding directorial achievement awards for 2011 were announced on Saturday during the 64th Annual DGA Awards dinner at the Grand Ballroom at Hollywood &#38; Highland in Los Angeles. <strong>Michel Hazanavicius</strong> won the DGA's award for outstanding directorial achievement in feature film for <em>The Artist</em>.  ]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Contender – Visual Effects Supervisor Erik Nash, Real Steel</title>
		<link>http://www.btlnews.com/awards/contender-%e2%80%93-visual-effects-supervisor-erik-nash-real-steel/</link>
		<comments>http://www.btlnews.com/awards/contender-%e2%80%93-visual-effects-supervisor-erik-nash-real-steel/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 16:55:43 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Visual FX]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24619</guid>
		<description><![CDATA[In Oscar’s “final five” in the visual effects category, <strong>Erik Nash</strong> finds himself nominated as the VFX supervisor for the robotic fisticuffs opus, <em>Real Steel</em>, along with very busy animatronic supevisor <strong>John Rosengrant</strong>, animation supervisor <strong>Dan Taylor</strong>, and digital effects supervisor <strong>Swen Gillbert</strong>.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>SOC to Honor Eastwood and Radin with Lifetime Achievement Awards</title>
		<link>http://www.btlnews.com/awards/soc-to-honor-eastwood-and-radin-with-lifetime-achievement-awards/</link>
		<comments>http://www.btlnews.com/awards/soc-to-honor-eastwood-and-radin-with-lifetime-achievement-awards/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 16:55:24 +0000</pubDate>
		<dc:creator>Staff</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Camera]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Television]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24631</guid>
		<description><![CDATA[The <strong>Society of Camera Operators</strong> announced the recipients of the 2012 Lifetime Achievement Awards to be held Feb. 19 at the Leonard Goldenson Theater at the <strong>Academy of Television Arts and Sciences </strong>in North Hollywood, California.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Montreal Facilities Collaborate on VES-Nominated Film</title>
		<link>http://www.btlnews.com/awards/montreal-facilities-collaborate-on-ves-nominated-film/</link>
		<comments>http://www.btlnews.com/awards/montreal-facilities-collaborate-on-ves-nominated-film/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 16:55:10 +0000</pubDate>
		<dc:creator>Staff</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Visual FX]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24614</guid>
		<description><![CDATA[When visual effects supervisor <strong>Louis Morin</strong> and VFX producer <strong>Annie Godin</strong> were nominated for a VES Award for their work on <strong>Duncan Jones</strong>’ <em>Source Code</em>, the Montreal-based facilities involved in the film had reason to celebrate as well. Under the guidance of Morin, the VFX facilities each took on different parts of the project, sharing assets and coordinating deliveries on the film. ]]></description>
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