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	<title>Below the Line &#187; For Your Consideration</title>
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		<title>The 82nd Annual Academy Awards</title>
		<link>http://www.btlnews.com/awards/the-82nd-annual-academy-awards/</link>
		<comments>http://www.btlnews.com/awards/the-82nd-annual-academy-awards/#comments</comments>
		<pubDate>Mon, 08 Mar 2010 01:50:01 +0000</pubDate>
		<dc:creator>Jack Egan</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[For Your Consideration]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=10427</guid>
		<description><![CDATA[<em>The Hurt Locker</em>, a suspense drama about a bomb disposal squad  in war-torn Iraq, was the night’s big winner, garnering six Oscars  overall. Three were for top line categories including best picture, best  director (<strong>Kathryn Bigelow</strong> is the first woman to win the helmer honor) and best screenplay.]]></description>
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		<title>Berger, Kivilo and Egilsson Earn Top ASC Awards</title>
		<link>http://www.btlnews.com/awards/for-your-consideration/berger-kivilo-and-egilsson-earn-top-asc-awards/</link>
		<comments>http://www.btlnews.com/awards/for-your-consideration/berger-kivilo-and-egilsson-earn-top-asc-awards/#comments</comments>
		<pubDate>Wed, 03 Mar 2010 19:05:13 +0000</pubDate>
		<dc:creator>Jack Egan</dc:creator>
				<category><![CDATA[Camera]]></category>
		<category><![CDATA[For Your Consideration]]></category>
		<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=10381</guid>
		<description><![CDATA[It was retro night at the 24th annual awards dinner of the American Society of Cinematographers. Austrian director of photography Christian Berger, AAC, was the surprise winner for best work on a feature film for his black-and-white cinematography for The White Ribbon. Another theme at the gala was the virtue of film over digital cinematography. [...]]]></description>
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		<title>Developing an Eye for Great Cinematography</title>
		<link>http://www.btlnews.com/awards/developing-an-eye-for-great-cinematography/</link>
		<comments>http://www.btlnews.com/awards/developing-an-eye-for-great-cinematography/#comments</comments>
		<pubDate>Mon, 14 Dec 2009 21:02:48 +0000</pubDate>
		<dc:creator>Jack Egan</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Camera]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[For Your Consideration]]></category>
		<category><![CDATA[99]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=6707</guid>
		<description><![CDATA[The look and emotional feel of a film, more than simply a series of unfolding images, is the responsibility of the director of photography. The cinematographer, from choice of camera and lenses, to the crucial task of lighting what’s being shot, is the director’s “right hand,” working to support the helmer’s vision of the story [...]]]></description>
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		<title>A Great Year for Animation</title>
		<link>http://www.btlnews.com/awards/a-great-year-for-animation/</link>
		<comments>http://www.btlnews.com/awards/a-great-year-for-animation/#comments</comments>
		<pubDate>Mon, 14 Dec 2009 20:37:23 +0000</pubDate>
		<dc:creator>Scott Lehane</dc:creator>
				<category><![CDATA[Animation]]></category>
		<category><![CDATA[Awards]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[For Your Consideration]]></category>
		<category><![CDATA[99]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=6512</guid>
		<description><![CDATA[This year has seen a bumper crop of top-notch animated films, making the competition for the Best Animated Feature Oscar particularly interesting. The award, recognizing a genre that was long ignored by the Academy is a relative newcomer, having been instituted only in 2001. “It was certainly a pretty exceptional year for animation,” said Antran [...]]]></description>
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		<title>The Invisible Art of Cutting Films</title>
		<link>http://www.btlnews.com/awards/for-your-consideration/the-invisible-art-of-cutting-films/</link>
		<comments>http://www.btlnews.com/awards/for-your-consideration/the-invisible-art-of-cutting-films/#comments</comments>
		<pubDate>Mon, 23 Nov 2009 20:32:07 +0000</pubDate>
		<dc:creator>Mary Ann Skweres</dc:creator>
				<category><![CDATA[Editing]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[For Your Consideration]]></category>
		<category><![CDATA[98]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=2284</guid>
		<description><![CDATA[“Every editor is going to tell you the same thing,” says <strong>Sheldon Kahn</strong>, A.C.E. “If you don’t notice the editing, that’s good editing. Whether it’s an animated picture o]]></description>
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		<title>Costume Design: Helping the Actor Find the Character</title>
		<link>http://www.btlnews.com/awards/for-your-consideration/costume-design-helping-the-actor-find-the-character/</link>
		<comments>http://www.btlnews.com/awards/for-your-consideration/costume-design-helping-the-actor-find-the-character/#comments</comments>
		<pubDate>Mon, 23 Nov 2009 15:36:27 +0000</pubDate>
		<dc:creator>Mary Ann Skweres</dc:creator>
				<category><![CDATA[Costume Design]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[For Your Consideration]]></category>
		<category><![CDATA[98]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/sean/wordpress/?p=2191</guid>
		<description><![CDATA[Costume Designer, Jenny Beavan, can appreciate a beautiful piece of fabric in the same way she would appreciate a beautiful painting or a beautiful flower, but “it’s not what she lives and breathes.” As a costume designer she does not even have a particular interest in clothing, fabric or accessories. “But when it comes to [...]]]></description>
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		<title>Score and Sound: The Unsung Heroes Behind the Scenes</title>
		<link>http://www.btlnews.com/awards/for-your-consideration/score-and-sound-the-unsung-heroes-behind-the-scenes/</link>
		<comments>http://www.btlnews.com/awards/for-your-consideration/score-and-sound-the-unsung-heroes-behind-the-scenes/#comments</comments>
		<pubDate>Mon, 23 Nov 2009 15:29:47 +0000</pubDate>
		<dc:creator>Bob Bayless</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[For Your Consideration]]></category>
		<category><![CDATA[Sound]]></category>
		<category><![CDATA[98]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/sean/wordpress/?p=2185</guid>
		<description><![CDATA[Every year about this time, the Oscar nominations are made. Music, of all the crafts, is possibly the most subjective category to judge, especially for an award of this magnitude. The daunting task of deciding what is worthy of contention goes to the composers, music editors and music supervisors who are Academy members. “Movies are [...]]]></description>
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		<title>Apocalypse-Almost-Now: Volker Engel and Marc Weigert on World’s End FX in 2012</title>
		<link>http://www.btlnews.com/awards/apocalypse-almost-now-volker-engel-and-marc-weigert-on-world%e2%80%99s-end-fx-in-2012/</link>
		<comments>http://www.btlnews.com/awards/apocalypse-almost-now-volker-engel-and-marc-weigert-on-world%e2%80%99s-end-fx-in-2012/#comments</comments>
		<pubDate>Thu, 19 Nov 2009 03:06:00 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[For Your Consideration]]></category>
		<category><![CDATA[Post Supervisor Series]]></category>
		<category><![CDATA[98]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/sean/wordpress/?p=549</guid>
		<description><![CDATA[At the recent Production Summit thrown by the Visual Effects Society in Marina del Rey, collectively attempting to suss out the future of Hollywood filmmaking in a world both all-digital, and all-outsourced, director Roland Emmerich’s visual effects cohorts, Volker Engel and Marc Weigert—the former supervising VFX on most of his pictures, the latter in charge [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Gorillas or Guerrillas? The Year in FX</title>
		<link>http://www.btlnews.com/awards/gorillas-or-guerillas-the-year-in-fx/</link>
		<comments>http://www.btlnews.com/awards/gorillas-or-guerillas-the-year-in-fx/#comments</comments>
		<pubDate>Thu, 19 Nov 2009 03:04:00 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[For Your Consideration]]></category>
		<category><![CDATA[Visual FX]]></category>
		<category><![CDATA[98]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/sean/wordpress/?p=547</guid>
		<description><![CDATA[Because of our own release schedule for this annual fall “voters’ guide” to the upcoming awards—just call us “Secretaries of the State of the Crew!”—we go to press just as this year’s two 800-pound gorillas of visual effects are hitting screens. The symbolically simian pair is succinctly referred to by VFX supervisor Wojciech Zielinski, whose [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Assessing the Year in Shape Language</title>
		<link>http://www.btlnews.com/awards/assessing-the-year-in-shape-language/</link>
		<comments>http://www.btlnews.com/awards/assessing-the-year-in-shape-language/#comments</comments>
		<pubDate>Thu, 19 Nov 2009 02:54:00 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Crafts]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[For Your Consideration]]></category>
		<category><![CDATA[Production Design]]></category>
		<category><![CDATA[98]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/sean/wordpress/?p=542</guid>
		<description><![CDATA[It’s a good year for production designer Mark Ricker to suss out award finalists in that category (and it’s kissin’ cousin, art direction), since he may find himself in the thick of the awards hunt—on the Academy and guild sides—for his own work channeling both ’60’s-era Paris and the present-day US in Julie &#38; Julia. [...]]]></description>
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