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	<title>Below the Line &#187; For Your Consideration</title>
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		<title>Embracing the Digital Divide in a Dazzling year for Cinematography</title>
		<link>http://www.btlnews.com/awards/embracing-the-digital-divide-in-a-dazzling-year-for-cinematography/</link>
		<comments>http://www.btlnews.com/awards/embracing-the-digital-divide-in-a-dazzling-year-for-cinematography/#comments</comments>
		<pubDate>Tue, 07 Feb 2012 16:58:21 +0000</pubDate>
		<dc:creator>Jack Egan</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Camera]]></category>
		<category><![CDATA[Crafts]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[For Your Consideration]]></category>
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		<guid isPermaLink="false">http://www.btlnews.com/?p=25023</guid>
		<description><![CDATA[It’s been a banner year for fans of cinematography in terms of both quality and variety. But motion picture cinematography is also at a crossroads. The film medium, dominant ever since the beginning of moviemaking over a century ago, is on the wane, in large part due to economic pressures.  Meanwhile digital motion picture cameras, though still in their relative infancy, are rapidly evolving in terms of technology, mobility and sophistication.]]></description>
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		<title>A Year of Dazzling Costume Design</title>
		<link>http://www.btlnews.com/awards/a-year-of-dazzling-costume-design/</link>
		<comments>http://www.btlnews.com/awards/a-year-of-dazzling-costume-design/#comments</comments>
		<pubDate>Thu, 12 Jan 2012 16:49:41 +0000</pubDate>
		<dc:creator>Michelle Paradis</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Costume Design]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[For Your Consideration]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=23922</guid>
		<description><![CDATA[It has been a dazzling, ambitious year for costume design. This year’s crop of films have brought to realization the scope of worlds through costume as unique and enthralling as they are varied and distinctive. ]]></description>
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		<title>The Year in Visual Effects</title>
		<link>http://www.btlnews.com/awards/the-year-in-visual-effects/</link>
		<comments>http://www.btlnews.com/awards/the-year-in-visual-effects/#comments</comments>
		<pubDate>Wed, 11 Jan 2012 16:56:21 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[For Your Consideration]]></category>
		<category><![CDATA[Visual FX]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=23833</guid>
		<description><![CDATA[Ah, those digits. On computers tracking finances and trading commodity futures, they weaken the Euro, send gas prices higher, and create all manner of mischief. But in computers creating century-old Parisian landscapes, World Wars, and highly sympathetic revolutionary apes, among other imaginings, they create the very stuff of box office receipts and critical plaudits. And for a handful of them on VES and Oscar nights, they manifest award statues as well.]]></description>
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		<title>Recognizing Exceptional Editing</title>
		<link>http://www.btlnews.com/awards/recognizing-exceptional-editing/</link>
		<comments>http://www.btlnews.com/awards/recognizing-exceptional-editing/#comments</comments>
		<pubDate>Tue, 10 Jan 2012 16:52:04 +0000</pubDate>
		<dc:creator>Mary Ann Skweres</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Editing]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[For Your Consideration]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=23603</guid>
		<description><![CDATA[Just as every summer theaters are filled with super-hero blockbusters and other tent-pole movies, as each year comes to a close, audiences are deluged by the release of motion pictures considered by the various studios to be award-worthy. Although some critically acclaimed works come early in the year, fear of short audience memories means that most highly-anticipated films are released in November and December, shortly before nominations for the various filmmaking awards. In a marathon of sorts, culminating in the Oscars at the end of February, guild and Academy members of all disciplines are asked to view, nominate, and vote upon the best films the industry has to offer.]]></description>
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		<title>A Banner Year for Special Makeup Effects</title>
		<link>http://www.btlnews.com/awards/for-your-consideration/a-banner-year-for-special-makeup-effects/</link>
		<comments>http://www.btlnews.com/awards/for-your-consideration/a-banner-year-for-special-makeup-effects/#comments</comments>
		<pubDate>Mon, 09 Jan 2012 16:58:47 +0000</pubDate>
		<dc:creator>Scott Essman</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[For Your Consideration]]></category>
		<category><![CDATA[Makeup]]></category>
		<category><![CDATA[Morning News]]></category>

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		<description><![CDATA[Every autumn in the entertainment industry, the many below-the-line crafts in a year’s films are often under appreciated by a celebrity-oriented press corps, both foreign and domestic, who often seek nothing but a parade of stars come the lengthy awards season.  Yet, the various crafts in a film, with the artists behind those trades, in addition to the unquestionable impact of those fields on the look and sound of a film, are certainly worthy of equal footing to the on-camera talent.  And makeup artistry and hairstyling stand as crucial elements to a film on par with costume design in the presentation of an onscreen actor or actress.]]></description>
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		<title>Teamwork is an Edge for Art Directors This Awards Season</title>
		<link>http://www.btlnews.com/awards/for-your-consideration/teamwork-is-an-edge-for-art-directors-this-awards-season/</link>
		<comments>http://www.btlnews.com/awards/for-your-consideration/teamwork-is-an-edge-for-art-directors-this-awards-season/#comments</comments>
		<pubDate>Mon, 21 Nov 2011 16:58:52 +0000</pubDate>
		<dc:creator>Leslie Lindeman</dc:creator>
				<category><![CDATA[Art Direction]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[For Your Consideration]]></category>
		<category><![CDATA[Day 1]]></category>
		<category><![CDATA[Saved]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=21512</guid>
		<description><![CDATA[The shorthand between a production designer and director who have previously worked together is an advantage in filmmaking that will likely come into play this awards season, three leading designers agreed. <strong>Rick Carter</strong> and <strong>Steven Spielberg</strong>, <strong>Dante Ferreti</strong> and <strong>Martin Scorcese, David</strong> <strong>Yates</strong> and <strong>Stuart Craig, Clint Eastwood</strong> and <strong>James Murakami</strong>, and <strong>Terrence Mallick</strong> and <strong>Jack Fisk,</strong> are just a few of the production designer/director teams whose work promises to be in contention this season.]]></description>
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		<title>Animation Roundup</title>
		<link>http://www.btlnews.com/awards/for-your-consideration/animation-roundup/</link>
		<comments>http://www.btlnews.com/awards/for-your-consideration/animation-roundup/#comments</comments>
		<pubDate>Thu, 06 Oct 2011 15:48:51 +0000</pubDate>
		<dc:creator>Scott Lehane</dc:creator>
				<category><![CDATA[Animation]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[For Your Consideration]]></category>
		<category><![CDATA[Day 4]]></category>
		<category><![CDATA[Saved]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=19855</guid>
		<description><![CDATA[The best animated feature Oscar isn’t exactly a below-the-line award. In a sense, it’s more akin to a “best picture” Oscar, (which just happens to be animated). For animated film contenders it all comes down to how all of the crafts work together. Story, animation, direction, editing, production design and sound have to coalesce to make for a great animated film. ]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Costume Design: Visually Supporting the Story and Characters</title>
		<link>http://www.btlnews.com/awards/costume-design-visually-supporting-the-story-and-characters/</link>
		<comments>http://www.btlnews.com/awards/costume-design-visually-supporting-the-story-and-characters/#comments</comments>
		<pubDate>Wed, 19 Jan 2011 13:18:55 +0000</pubDate>
		<dc:creator>Mary Ann Skweres</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Costume Design]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[For Your Consideration]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=12124</guid>
		<description><![CDATA[“The actors are in the foreground, so the costumes are in the foreground,” comments costume designer, <strong>Jeffrey Kurland</strong>, Oscar-nominated for <em>Bullets Over Broadway</em>. Yet whereas a period or fantasy costume might pop off the screen due to the nature of the clothing and the spectacle of the films, the average viewer may not even notice contemporary costumes because they are so integrated into the experience of a film as a whole. ]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Director Tom Hooper Talks About The King’s Speech</title>
		<link>http://www.btlnews.com/awards/the-kings-speech/</link>
		<comments>http://www.btlnews.com/awards/the-kings-speech/#comments</comments>
		<pubDate>Tue, 18 Jan 2011 11:56:14 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Direction]]></category>
		<category><![CDATA[Director Series]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[For Your Consideration]]></category>
		<category><![CDATA[Saved]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=11998</guid>
		<description><![CDATA[“I wanted a different way of looking at the monarchy,” says director <strong>Tom Hooper</strong>, about <em>The King’s Speech</em> – the acclaimed tale of King George VI's visit to unorthodox speech therapist <strong>Lionel Logue</strong> (essayed, in equally lauded fashion, by <strong>Colin Firth</strong> and <strong>Geoffrey Rush</strong>, respectively), who helped him overcome a crippling stutter.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>With Screen Characters, The Makeup is the Thing</title>
		<link>http://www.btlnews.com/awards/for-your-consideration/with-screen-characters-the-makeup-is-the-thing/</link>
		<comments>http://www.btlnews.com/awards/for-your-consideration/with-screen-characters-the-makeup-is-the-thing/#comments</comments>
		<pubDate>Fri, 14 Jan 2011 12:27:05 +0000</pubDate>
		<dc:creator>Scott Essman</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[For Your Consideration]]></category>
		<category><![CDATA[Makeup]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=12098</guid>
		<description><![CDATA[When <strong>Charlize Theron </strong>won her coveted Best Actress Oscar for her performance in 2003’s <em>Monster</em>, among her many thanks was one to “<strong>Toni G </strong>for transforming me.” The moment was as revealing as it was shocking; rarely had a winning performer thanked the makeup artist for a manner of transformation into a unique onscreen look, though many a lauded turn in a special role owes much to makeup artistry.]]></description>
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