Get Low Director’s First Feature Attracts All-star Cast and Crew
Get Low, a small-budget gem now in theaters, is directed by long-time cinematographer Aaron Schneider, his first time at the helm of a feature film. He had previously won an Oscar in 2004 for best short, Two Soldiers, which he directed. Schneider is also credited as the editor of Get Low. »
Origami Digital Expands Facility with Move to New Location
Visual effects company Origami Digital recently moved in to a new location near the Hawthorne Airport. The 8,000-square-foot building includes an expanded performance-capture stage, a large studio for the artists and state-of-the-art infrastructure. “We’ve always had a full-service approach to our work, and in the new space we can offer the whole range of... »
Chris Sanders and Dean DeBlois show How to Train Your Dragon
Helmed by Oscar-nominated writer/director Chris Sanders and writer/director Dean Deblois (Lilo & Stitch, Mulan), the DreamWorks Animation SKG production of »
Burton in Wonderland
It's not every film that's big enough to warrant three separate visual FX supervisors, but Tim Burton's Alice in Wonderland, Disney's not-a-remake revisiting of material they last brought to screen in 50's-era animation, apparently nibbled the cake that said "Eat Me," and became that big. »
Crash+Sues opens CS Films
Award-wining commercial production company Crash+Sues recently opened CS Films – a Minneapolis-based post house dedicated to the independent filmmakers. For its first project, the company provided color correction, online editing and finishing for writer/director Matt Osterman’s debut feature, the supernatural thriller Phasma Ex Machina. “This project was a great opportunity for CS Films to... »
Joe Johnston Conjures The Wolfman
Former Industrial Light and Magic art director Joe Johnston became a feature film director over 20 years ago when he came aboard... »
I.E. Effects Boosts Stereo 3D Pipeline with Isilon Storage
I.E. Effects has installed an Isilon IQ6000x cluster storage system at its Culver City location. With several large stereoscopic projects currently active, the Isilon system expands the company’s ability to manage the data and throughput requirements of multiple jobs. For clients this means increased efficiency and reliability for demanding stereo 3D projects. The clustered... »
740 Sound Design Expands
740 Sound Design has opened a new audio postproduction facility and added mixing to its sound design services. The expansion enables the company to move into television, digital media and select documentary films in addition to the commercial work it has done for a decade. The facility is also enabling 740, which previously shared... »
Danish Director Blends Comedy and Tragedy in An Education
The critically acclaimed film, An Education, which garnered the Audience Award at the 2009 Sundance Film Festival, has quietly slipped into Oscar contention. From a script by British author Nick Hornby (About a Boy), and based on Lynn Barber’s memoir, the film is more than just the story of a bright schoolgirl on the... »
Joe Letteri on the Visual Effects of Avatar
After supervising visual effects on massive projects such as Peter Jackson’s final two films in his Lord of the Rings trilogy, Stephen Sommers’ Van Helsing, and Jackson’s King Kong, Joe Letteri might have faced an even greater challenge with James Cameron’s Avatar. For this newest project, which is winning troves of awards and breaking... »

