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	<title>Below the Line &#187; Post Supervisor Series</title>
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		<title>Burton in Wonderland</title>
		<link>http://www.btlnews.com/crafts/visual-fx/burton-in-wonderland/</link>
		<comments>http://www.btlnews.com/crafts/visual-fx/burton-in-wonderland/#comments</comments>
		<pubDate>Tue, 16 Mar 2010 18:06:29 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Post Supervisor Series]]></category>
		<category><![CDATA[Visual FX]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=10552</guid>
		<description><![CDATA[It's not every film that's big enough to warrant three separate visual FX supervisors, but Tim Burton's <em>Alice in Wonderland</em>, Disney's not-a-remake revisiting of material they last brought to screen in 50's-era animation, apparently nibbled the cake that said "Eat Me," and became that big.]]></description>
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		<title>Joe Letteri on the Visual Effects of Avatar</title>
		<link>http://www.btlnews.com/awards/contender-portfolios/joe-letteri-on-the-visual-effects-of-avatar/</link>
		<comments>http://www.btlnews.com/awards/contender-portfolios/joe-letteri-on-the-visual-effects-of-avatar/#comments</comments>
		<pubDate>Fri, 22 Jan 2010 23:19:53 +0000</pubDate>
		<dc:creator>Scott Essman</dc:creator>
				<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Post Supervisor Series]]></category>
		<category><![CDATA[Visual FX]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=9341</guid>
		<description><![CDATA[After supervising visual effects on massive projects such as <strong>Peter Jackson</strong>’s final two films in his <em>Lord of the Rings</em> trilogy, <strong>Stephen Sommers</strong>’ <em>Van Helsing</em>, and Jackson’s <em>King Kong</em>, <strong>Joe Letteri</strong> might have faced an even greater challenge with <strong>James Cameron</strong>’s <em>Avatar</em>. For this newest project, which is winning troves of awards and breaking both worldwide and domestic box office records, Letteri faced supervising effects for a movie that was a predominantly virtual production, with fully-realized computer-generated characters and worlds, on top of being shot in 3D with new camera processes.]]></description>
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		<title>Men Who Stare At Monitors</title>
		<link>http://www.btlnews.com/crafts/post-production/men-who-stare-at-monitors-thomas-j-smith-on-rendering-fx-for-the-men-who-stare-at-goats/</link>
		<comments>http://www.btlnews.com/crafts/post-production/men-who-stare-at-monitors-thomas-j-smith-on-rendering-fx-for-the-men-who-stare-at-goats/#comments</comments>
		<pubDate>Mon, 14 Dec 2009 21:05:08 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Post Supervisor Series]]></category>
		<category><![CDATA[Postproduction]]></category>
		<category><![CDATA[Visual FX]]></category>
		<category><![CDATA[99]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=6810</guid>
		<description><![CDATA[Visual FX supervisor <strong>Thomas J. Smith </strong>has overseen digital effects on pictures where you know you’ll be watching a lot of digital sleight-of-hand, like <em>The League of Extraordinary Gentleman </em>and <em>The Chronicles of Riddick</em>, and also films you wouldn’t immediately expect to be FX heavy, like all three <em>Ocean’s </em>films with <strong>George Clooney</strong>. He found himself in that role again with Clooney, with a film set in other deserts besides downtown Vegas, namely “<em>The Men Who Stare at Goats</em>.”]]></description>
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		<title>Apocalypse-Almost-Now: Volker Engel and Marc Weigert on World’s End FX in 2012</title>
		<link>http://www.btlnews.com/awards/apocalypse-almost-now-volker-engel-and-marc-weigert-on-world%e2%80%99s-end-fx-in-2012/</link>
		<comments>http://www.btlnews.com/awards/apocalypse-almost-now-volker-engel-and-marc-weigert-on-world%e2%80%99s-end-fx-in-2012/#comments</comments>
		<pubDate>Thu, 19 Nov 2009 03:06:00 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[For Your Consideration]]></category>
		<category><![CDATA[Post Supervisor Series]]></category>
		<category><![CDATA[98]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/sean/wordpress/?p=549</guid>
		<description><![CDATA[At the recent Production Summit thrown by the Visual Effects Society in Marina del Rey, collectively attempting to suss out the future of Hollywood filmmaking in a world both all-digital, and all-outsourced, director Roland Emmerich’s visual effects cohorts, Volker Engel and Marc Weigert—the former supervising VFX on most of his pictures, the latter in charge [...]]]></description>
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		<title>Charles Gibson, VFX Supervisor, Terminator Salvation</title>
		<link>http://www.btlnews.com/crafts/visual-fx/charles-gibson-vfx-supervisor-terminator-salvation/</link>
		<comments>http://www.btlnews.com/crafts/visual-fx/charles-gibson-vfx-supervisor-terminator-salvation/#comments</comments>
		<pubDate>Mon, 08 Jun 2009 23:48:41 +0000</pubDate>
		<dc:creator>Jack Egan</dc:creator>
				<category><![CDATA[Post Supervisor Series]]></category>
		<category><![CDATA[Visual FX]]></category>
		<category><![CDATA[93]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=9356</guid>
		<description><![CDATA[Charles Gibson, the VFX Supervisor for Terminator Salvation, recently talked to Below the Line about the state-of- the-art CG animation and effects work that it took to create the army of Terminator killer robots featured in the post-Apocalyptic world of T4. Gibson—winner of two Oscars for best special effects-for Babe in 1995 and for Pirates [...]]]></description>
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		<title>A Sense of Travel: Alex Wuttke and Victor Wade on Quantum of Solace</title>
		<link>http://www.btlnews.com/crafts/visual-fx/a-sense-of-travel-alex-wuttke-and-victor-wade-on-quantum-of-solace/</link>
		<comments>http://www.btlnews.com/crafts/visual-fx/a-sense-of-travel-alex-wuttke-and-victor-wade-on-quantum-of-solace/#comments</comments>
		<pubDate>Sat, 08 Nov 2008 21:30:05 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Post Supervisor Series]]></category>
		<category><![CDATA[Visual FX]]></category>
		<category><![CDATA[84]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=9693</guid>
		<description><![CDATA[James Bond’s problems tend to work themselves out a little differently than yours or mine. In the current outing of the franchise Quantum of Solace, which transports an obscure Ian Fleming short story title to a film that is now a sequel to the previous Daniel Craig installment Casino Royale, Bond finds that he “has” [...]]]></description>
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