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	<title>Below the Line &#187; Editing</title>
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		<title>Charlex Promotes Ryan Dunn to Executive Creative Director</title>
		<link>http://www.btlnews.com/crafts/post-production/charlex-promotes-ryan-dunn-to-executive-creative-director/</link>
		<comments>http://www.btlnews.com/crafts/post-production/charlex-promotes-ryan-dunn-to-executive-creative-director/#comments</comments>
		<pubDate>Thu, 02 Feb 2012 16:50:26 +0000</pubDate>
		<dc:creator>Staff</dc:creator>
				<category><![CDATA[Animation]]></category>
		<category><![CDATA[Commercials]]></category>
		<category><![CDATA[Editing]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Postproduction]]></category>
		<category><![CDATA[Visual FX]]></category>
		<category><![CDATA[Who's Where?]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24921</guid>
		<description><![CDATA[Following a run of high-profile projects, <strong>Charlex </strong>is promoting director/CD <strong>Ryan Dunn</strong> to executive creative director. While Dunn will continue to direct, he will increase his focus on expanding the staff and sharpening the overall creative direction of the Charlex brand, working with his team of producers and creatives on any given job.]]></description>
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		<title>Wild(child) Editorial Adds Editor Diego Panich To Its New York Roster</title>
		<link>http://www.btlnews.com/community/whos-where/wildchild-editorial-adds-editor-diego-panich-to-its-new-york-roster/</link>
		<comments>http://www.btlnews.com/community/whos-where/wildchild-editorial-adds-editor-diego-panich-to-its-new-york-roster/#comments</comments>
		<pubDate>Wed, 25 Jan 2012 16:52:49 +0000</pubDate>
		<dc:creator>Staff</dc:creator>
				<category><![CDATA[Commercials]]></category>
		<category><![CDATA[Editing]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Who's Where?]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24551</guid>
		<description><![CDATA[<strong>Yvette Pineyro</strong>, founder of <strong>Wild(child) Editorial </strong>announced that <strong>Diego Panich</strong>, one of Argentina’s premiere editors will make the move to New York this month to join her Flatiron-based editorial boutique.]]></description>
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		<title>Danish Director Nicolas Windng Refn Pushes Drive into High Gear</title>
		<link>http://www.btlnews.com/awards/danish-director-nicolas-windng-refn-pushes-drive-into-high-gear/</link>
		<comments>http://www.btlnews.com/awards/danish-director-nicolas-windng-refn-pushes-drive-into-high-gear/#comments</comments>
		<pubDate>Mon, 23 Jan 2012 16:51:14 +0000</pubDate>
		<dc:creator>Jack Egan</dc:creator>
				<category><![CDATA[Art Direction]]></category>
		<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Costume Design]]></category>
		<category><![CDATA[Direction]]></category>
		<category><![CDATA[Director Series]]></category>
		<category><![CDATA[Editing]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Industry Sector]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24336</guid>
		<description><![CDATA[<strong>Nicolas Windng Refn</strong>,<strong> </strong>director of <em>Drive</em>, doesn’t himself drive. He has failed his driver’s license test eight times. Yet the heralded Danish director came to Los Angeles, the city of cars, to make a film filled with some of the most authentic and exciting car chase sequences seen on the screen in years.]]></description>
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		<title>ACE Announces Lifetime Achievement Award Winners</title>
		<link>http://www.btlnews.com/awards/ace-announces-lifetime-achievement-award-winners/</link>
		<comments>http://www.btlnews.com/awards/ace-announces-lifetime-achievement-award-winners/#comments</comments>
		<pubDate>Fri, 20 Jan 2012 14:56:51 +0000</pubDate>
		<dc:creator>Staff</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Editing]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24306</guid>
		<description><![CDATA[<strong>American Cinema Editors</strong> (ACE) will honor veteran editors <strong>Joel Cox</strong>, ACE and <strong>Doug Ibold</strong>, ACE with the organization’s lifetime career achievement award at the 62nd Annual ACE Eddie Awards on Feb. 18 in the International Ballroom of the Beverly Hilton Hotel.  ]]></description>
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		<title>ACE Announces Nominees for the Eddie Awards</title>
		<link>http://www.btlnews.com/awards/ace-announces-nominees-for-the-eddie-awards/</link>
		<comments>http://www.btlnews.com/awards/ace-announces-nominees-for-the-eddie-awards/#comments</comments>
		<pubDate>Mon, 16 Jan 2012 16:52:45 +0000</pubDate>
		<dc:creator>Staff</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Editing]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Television]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24154</guid>
		<description><![CDATA[<strong>American Cinema Editors</strong> (ACE) announced nominations for the 62nd Annual ACE Eddie Awards recognizing outstanding editing in nine categories of film, television and documentaries. Winners will be revealed during ACE’s 62nd annual black-tie awards ceremony on Feb. 18, in the International Ballroom of the Beverly Hilton Hotel. The ceremony will be hosted by actor/comedian <strong>Patton Oswalt</strong>. Later this month, ACE will announce the Golden Eddie Filmmaker of the Year honoree and two career achievement honorees.]]></description>
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		<title>Contender – Editor Anne-Sophie Bion, The Artist</title>
		<link>http://www.btlnews.com/awards/contender-editor-anne-sophie-bion-the-artist/</link>
		<comments>http://www.btlnews.com/awards/contender-editor-anne-sophie-bion-the-artist/#comments</comments>
		<pubDate>Thu, 12 Jan 2012 16:49:17 +0000</pubDate>
		<dc:creator>Mary Ann Skweres</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Editing]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=23920</guid>
		<description><![CDATA["To tell the truth, this was the first time editing a whole movie by myself," admits <strong>Anne-Sophie Bion</strong>, formerly an assistant to the renowned French editor, <strong>Hervé Schneid</strong>, (<em>Amélie</em>) who taught her, "if editing works without sound, it can only be better with it." When editing another film, Bion practiced cutting by shutting off the audio to see if the picture worked silently. When she was actually tapped to edit the modern day silent film,<em> The Artist,</em> working without dialog did not faze her.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Contender – Editor Joel Cox, J. Edgar</title>
		<link>http://www.btlnews.com/awards/contender-editor-joel-cox-j-edgar/</link>
		<comments>http://www.btlnews.com/awards/contender-editor-joel-cox-j-edgar/#comments</comments>
		<pubDate>Thu, 12 Jan 2012 16:48:32 +0000</pubDate>
		<dc:creator>Scott Essman</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Editing]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=23917</guid>
		<description><![CDATA[How does one collaborate with one of Hollywood’s true legends for so many years on such a wide variety of projects?  Just ask <strong>Joel Cox</strong>, who has edited nearly 40 films in total and has worked with <strong>Clint Eastwood</strong> since the late 1970s.  ]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Contender – Editor Claire Simpson, Extremely Loud and Incredibly Close</title>
		<link>http://www.btlnews.com/awards/contender-%e2%80%93-editor-claire-simpson-extremely-loud-and-incredibly-close/</link>
		<comments>http://www.btlnews.com/awards/contender-%e2%80%93-editor-claire-simpson-extremely-loud-and-incredibly-close/#comments</comments>
		<pubDate>Wed, 11 Jan 2012 16:56:07 +0000</pubDate>
		<dc:creator>Mary Ann Skweres</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Editing]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=23680</guid>
		<description><![CDATA[Editing is all about focusing attention on what the filmmakers want an audience to see at any given time in a film. The editing on <em>Extremely Loud and Incredibly</em> <em>Close</em> takes its focus from the book and adapted screenplay that were written from point of view of the lead character Oskar (<strong>Thomas Horn</strong>). Both mediums externalized the boy's thoughts in voice over. Oscar winning editor <strong>Claire Simpson </strong>(<em>Platoon</em>), who had previously worked with director <strong>Stephen Daldry </strong>on<strong> </strong><em>The Reader,</em> <strong> </strong>admits that the filmmakers "continued this device in the film."  What makes that decision even more interesting is the fact that the character has Asperger syndrome, a form of high functioning autism that makes those with the condition experience the world in different ways than most people.]]></description>
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		<title>Recognizing Exceptional Editing</title>
		<link>http://www.btlnews.com/awards/recognizing-exceptional-editing/</link>
		<comments>http://www.btlnews.com/awards/recognizing-exceptional-editing/#comments</comments>
		<pubDate>Tue, 10 Jan 2012 16:52:04 +0000</pubDate>
		<dc:creator>Mary Ann Skweres</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Editing]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[For Your Consideration]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=23603</guid>
		<description><![CDATA[Just as every summer theaters are filled with super-hero blockbusters and other tent-pole movies, as each year comes to a close, audiences are deluged by the release of motion pictures considered by the various studios to be award-worthy. Although some critically acclaimed works come early in the year, fear of short audience memories means that most highly-anticipated films are released in November and December, shortly before nominations for the various filmmaking awards. In a marathon of sorts, culminating in the Oscars at the end of February, guild and Academy members of all disciplines are asked to view, nominate, and vote upon the best films the industry has to offer.]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Rupert Wyatt&#8217;s Rise of the Planet of the Apes</title>
		<link>http://www.btlnews.com/awards/rupert-wyatts-rise-of-the-planet-of-the-apes/</link>
		<comments>http://www.btlnews.com/awards/rupert-wyatts-rise-of-the-planet-of-the-apes/#comments</comments>
		<pubDate>Thu, 05 Jan 2012 16:59:18 +0000</pubDate>
		<dc:creator>Mary Ann Skweres</dc:creator>
				<category><![CDATA[Art Direction]]></category>
		<category><![CDATA[Awards]]></category>
		<category><![CDATA[Camera]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Costume Design]]></category>
		<category><![CDATA[Crafts]]></category>
		<category><![CDATA[Direction]]></category>
		<category><![CDATA[Director Series]]></category>
		<category><![CDATA[Editing]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Industry Sector]]></category>
		<category><![CDATA[Sound]]></category>
		<category><![CDATA[Visual FX]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=23534</guid>
		<description><![CDATA[<em>Rise of the Planet of the Apes</em> tells an origin story that lays the foundation for the mythology of the first <em>Planet of the</em> <em>Apes</em> film, which takes place 3,000 years in the future. The success of the current film hinges on the believability of the main character, Caesar, a chimpanzee played by a human, that has been visually and audibly created using the most advanced techniques in filmmaking.]]></description>
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