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	<title>Below the Line &#187; Visual FX</title>
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		<title>Director Kory Martin Juul Creates White Tiger Legend Almost Single-Handedly</title>
		<link>http://www.btlnews.com/crafts/visual-fx/director-kory-martin-juul-creates-white-tiger-legend-almost-single-handedly/</link>
		<comments>http://www.btlnews.com/crafts/visual-fx/director-kory-martin-juul-creates-white-tiger-legend-almost-single-handedly/#comments</comments>
		<pubDate>Mon, 26 Jul 2010 17:35:07 +0000</pubDate>
		<dc:creator>Staff</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Visual FX]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=10964</guid>
		<description><![CDATA[Literally a one-man army, acclaimed visual effects artist, director and producer, <strong>Kory Martin Juul</strong> relied extensively on the <strong>PhaseSpace</strong> motion capture system for production on his new animated martial arts film, <em>White Tiger Legend</em>. Through creative use of the system, and his own martial arts training, Juul was able to capture 572 shots for the film on a tight schedule using a skeleton crew with only a shoestring budget.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>ILM Bends Fantasy into Reality in The Last Airbender</title>
		<link>http://www.btlnews.com/crafts/ilm-bends-fantasy-into-reality-in-the-last-airbender/</link>
		<comments>http://www.btlnews.com/crafts/ilm-bends-fantasy-into-reality-in-the-last-airbender/#comments</comments>
		<pubDate>Fri, 02 Jul 2010 01:58:59 +0000</pubDate>
		<dc:creator>Mary Ann Skweres</dc:creator>
				<category><![CDATA[Crafts]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Visual FX]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=10871</guid>
		<description><![CDATA[M. Night Shyamalan </strong>brings <strong>Nickelodeon's</strong> popular animated series, <em>The Last Airbender,</em> to the big screen in a live-action adventure created with the help of the visual effects, 3D matte painting and animation artists of <strong>Industrial Light and Magic</strong>. Although the team was faithful to the original television show, incorporating key elements, they also needed the film to look completely realistic.]]></description>
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		<slash:comments>1</slash:comments>
		</item>
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		<title>Light Illusion Launches LightSpace CMS</title>
		<link>http://www.btlnews.com/crafts/post-production/light-illusion-launches-lightspace-cms/</link>
		<comments>http://www.btlnews.com/crafts/post-production/light-illusion-launches-lightspace-cms/#comments</comments>
		<pubDate>Wed, 16 Jun 2010 15:04:10 +0000</pubDate>
		<dc:creator>Staff</dc:creator>
				<category><![CDATA[Camera]]></category>
		<category><![CDATA[Gear]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Postproduction]]></category>
		<category><![CDATA[Visual FX]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=10815</guid>
		<description><![CDATA[Light Illusion recently released LightSpace CMS – a full featured Color Management System (CMS), which builds on the company’s widely adopted LUT Manager display and calibration software. The development of Light Illusion’s software and services is directly driven by needs recognized through the company’s consultancy and real-world experience. The launch of LightSpace CMS brings major [...]]]></description>
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		<slash:comments>4</slash:comments>
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		<title>Framestore Creates CG Rodent Rappers For Kia</title>
		<link>http://www.btlnews.com/crafts/post-production/framestore-creates-cg-rodent-rappers-for-kia/</link>
		<comments>http://www.btlnews.com/crafts/post-production/framestore-creates-cg-rodent-rappers-for-kia/#comments</comments>
		<pubDate>Mon, 14 Jun 2010 12:50:09 +0000</pubDate>
		<dc:creator>Staff</dc:creator>
				<category><![CDATA[Animation]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Postproduction]]></category>
		<category><![CDATA[Visual FX]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=10752</guid>
		<description><![CDATA[<strong>Framestore</strong> recently spent three months creating 45 photoreal CG rodent rap stars for <strong>David &#38; Goliath</strong>'s new <strong>Kia</strong> Soul spot, "This or That." The spot was directed by <strong>Partizan</strong>'s <strong>Antoine Bardou-Jacquet</strong>.]]></description>
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		<slash:comments>2</slash:comments>
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		<title>Frame Studio Explores the History of Music</title>
		<link>http://www.btlnews.com/crafts/visual-fx/frame-studio-explores-the-history-of-music/</link>
		<comments>http://www.btlnews.com/crafts/visual-fx/frame-studio-explores-the-history-of-music/#comments</comments>
		<pubDate>Sat, 05 Jun 2010 12:21:39 +0000</pubDate>
		<dc:creator>Staff</dc:creator>
				<category><![CDATA[Visual FX]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=10894</guid>
		<description><![CDATA[Montreal-based motion design/VFX facility Frame Studio recently completed “RIFF” – a 30-second spot for a special music exhibit at the Musée de la civilisation de Québec. The piece, produced via ad agency Bleublancrouge, traces the history of musical forms from hip hop through disco, rock &#38; roll, jazz, and blues back to traditional African rhythms. [...]]]></description>
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		<title>Below-The-Line Trends: Hybrid Visual Effects Techniques – The Wolfman</title>
		<link>http://www.btlnews.com/crafts/visual-fx/below-the-line-trends-hybrid-visual-effects-techniques-%e2%80%93-the-wolfman/</link>
		<comments>http://www.btlnews.com/crafts/visual-fx/below-the-line-trends-hybrid-visual-effects-techniques-%e2%80%93-the-wolfman/#comments</comments>
		<pubDate>Thu, 03 Jun 2010 19:07:43 +0000</pubDate>
		<dc:creator>Scott Essman</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Makeup]]></category>
		<category><![CDATA[Visual FX]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=10732</guid>
		<description><![CDATA[As evidenced in films including The Wolfman which many viewers will first see on DVD and Blu-ray Hi-Def in its release on Tuesday June 1, the new modus operandi in visual effects production for feature films includes a hybrid of techniques and the use of several vendors to service all of the needs of a [...]]]></description>
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		<title>Ben Hur Rides Again with Oblique FX</title>
		<link>http://www.btlnews.com/crafts/visual-fx/ben-hur-rides-again-with-oblique-fx/</link>
		<comments>http://www.btlnews.com/crafts/visual-fx/ben-hur-rides-again-with-oblique-fx/#comments</comments>
		<pubDate>Fri, 09 Apr 2010 21:40:04 +0000</pubDate>
		<dc:creator>Scott Lehane</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Visual FX]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=10665</guid>
		<description><![CDATA[Montreal-based <strong>Oblique FX</strong> recently completed all of the visual effects for <em>Ben Hur</em> – a new two-part miniseries that revisits the <strong>Charlton Heston</strong> classic tale of a man betrayed and sold into slavery by his friend.]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Burton in Wonderland</title>
		<link>http://www.btlnews.com/crafts/visual-fx/burton-in-wonderland/</link>
		<comments>http://www.btlnews.com/crafts/visual-fx/burton-in-wonderland/#comments</comments>
		<pubDate>Tue, 16 Mar 2010 18:06:29 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Post Supervisor Series]]></category>
		<category><![CDATA[Visual FX]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=10552</guid>
		<description><![CDATA[It's not every film that's big enough to warrant three separate visual FX supervisors, but Tim Burton's <em>Alice in Wonderland</em>, Disney's not-a-remake revisiting of material they last brought to screen in 50's-era animation, apparently nibbled the cake that said "Eat Me," and became that big.]]></description>
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		<slash:comments>1</slash:comments>
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		<title>I.E. Effects Boosts Stereo 3D Pipeline with Isilon Storage</title>
		<link>http://www.btlnews.com/crafts/post-production/i-e-effects-boosts-stereo-3d-pipeline-with-isilon-storage/</link>
		<comments>http://www.btlnews.com/crafts/post-production/i-e-effects-boosts-stereo-3d-pipeline-with-isilon-storage/#comments</comments>
		<pubDate>Tue, 09 Feb 2010 22:16:08 +0000</pubDate>
		<dc:creator>Staff</dc:creator>
				<category><![CDATA[Facility in Focus]]></category>
		<category><![CDATA[Gear]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Postproduction]]></category>
		<category><![CDATA[Visual FX]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=9944</guid>
		<description><![CDATA[I.E. Effects has installed an Isilon IQ6000x cluster storage system at its Culver City location. With several large stereoscopic projects currently active, the Isilon system expands the company’s ability to manage the data and throughput requirements of multiple jobs. For clients this means increased efficiency and reliability for demanding stereo 3D projects. The clustered Isilon [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Previs Society Ramps Up</title>
		<link>http://www.btlnews.com/crafts/visual-fx/previs-society-ramps-up/</link>
		<comments>http://www.btlnews.com/crafts/visual-fx/previs-society-ramps-up/#comments</comments>
		<pubDate>Mon, 01 Feb 2010 15:28:30 +0000</pubDate>
		<dc:creator>Phil Rhodes</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Visual FX]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/crafts/visual-fx/previs-society-ramps-up/</guid>
		<description><![CDATA[The Previsualization Society, a new non-profit, interdisciplinary organization dedicated to advancing previsualization in feature film, games, commercials and architecture, has launched a new online portal, and issued a call for membership. The initiatives are part of the organization&#8217;s ramp-up activities in its inaugural year. Founded in September, the group aims to cultivate a community for [...]]]></description>
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		<slash:comments>1</slash:comments>
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