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	<title>Below the Line &#187; Director Series</title>
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		<title>Norwegian director Morten Tyldum Blends Mystery and Humor in Headhunters</title>
		<link>http://www.btlnews.com/crafts/norwegian-director-morten-tyldum-blends-mystery-and-humor-in-headhunters/</link>
		<comments>http://www.btlnews.com/crafts/norwegian-director-morten-tyldum-blends-mystery-and-humor-in-headhunters/#comments</comments>
		<pubDate>Mon, 14 May 2012 14:48:53 +0000</pubDate>
		<dc:creator>Jack Egan</dc:creator>
				<category><![CDATA[Crafts]]></category>
		<category><![CDATA[Direction]]></category>
		<category><![CDATA[Director Series]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=28107</guid>
		<description><![CDATA[<em>Headhunters</em>, is a new Norwegian movie, stylishly helmed by <strong>Morten Tyldum</strong>, one of the country’s best- known directors. Blending suspense and violence with macabre humor, the movie has been compared to the quirky films of the <strong>Coen Brothers</strong> and <strong>Quentin Tarantino</strong>.]]></description>
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		<title>Greg Carter Resurrects a Baseball Hero</title>
		<link>http://www.btlnews.com/commentary/director-series/greg-carter-resurrects-a-baseball-hero/</link>
		<comments>http://www.btlnews.com/commentary/director-series/greg-carter-resurrects-a-baseball-hero/#comments</comments>
		<pubDate>Mon, 23 Apr 2012 15:59:00 +0000</pubDate>
		<dc:creator>Scott Essman</dc:creator>
				<category><![CDATA[Direction]]></category>
		<category><![CDATA[Director Series]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=27507</guid>
		<description><![CDATA[With the onset of April every spring, one conjures the classic baseball films in cinema lore.  Certainly <em>The Natural</em>, <em>Bull Durham</em>, <em>Field of</em> <em>Dreams</em> and others of the past several decades come to mind.  But it might be a lower-profile film which tells a real baseball story about a fascinating figure which could trump them all.]]></description>
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		<title>Director Roger Donaldson Leads us Down the Dark Path of Seeking Justice</title>
		<link>http://www.btlnews.com/commentary/director-series/director-roger-donaldson-leads-us-down-the-dark-path-of-seeking-justice/</link>
		<comments>http://www.btlnews.com/commentary/director-series/director-roger-donaldson-leads-us-down-the-dark-path-of-seeking-justice/#comments</comments>
		<pubDate>Mon, 19 Mar 2012 15:58:31 +0000</pubDate>
		<dc:creator>Scott Essman</dc:creator>
				<category><![CDATA[Columns]]></category>
		<category><![CDATA[Direction]]></category>
		<category><![CDATA[Director Series]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=26574</guid>
		<description><![CDATA[Director <strong>Roger Donaldson</strong> has been making Hollywood thrillers for the better part of three decades.  From the political machinations of <em>No Way Out</em> and <em>Thirteen Days</em>, to more character-driven fare such as <em>The Getaway</em> remake, <em>The Recruit</em> and <em>The</em> <em>Bank Job</em>, Donaldson seems comfortable in creating tales that ratchet up the onscreen tension.  His newest, <em>Seeking Justice</em>, forges ahead in similar territory, one that the Australian sees as a fresh attempt each time out.  “I think the challenge of making a thriller is that you know instinctively that the story can play out by the characters in front of you,” he said. “You don’t know which way it’s going to go.”]]></description>
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		<title>Director Taika Waititi: Boy Comes of Age in 1980s New Zealand</title>
		<link>http://www.btlnews.com/crafts/director-taika-waititi-boy-comes-of-age-in-1980s-new-zealand/</link>
		<comments>http://www.btlnews.com/crafts/director-taika-waititi-boy-comes-of-age-in-1980s-new-zealand/#comments</comments>
		<pubDate>Mon, 12 Mar 2012 15:59:29 +0000</pubDate>
		<dc:creator>Mary Ann Skweres</dc:creator>
				<category><![CDATA[Camera]]></category>
		<category><![CDATA[Crafts]]></category>
		<category><![CDATA[Director Series]]></category>
		<category><![CDATA[Editing]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Postproduction]]></category>
		<category><![CDATA[Sound]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=26435</guid>
		<description><![CDATA[Directed in a whimsical and lively visual style, <em>Boy</em>, by writer-director-actor, <strong>Taika Waititi</strong>, is a comedy-drama, interspersed with full-on fantasy sequences, <strong>Michael Jackson</strong>-inspired musical numbers and child-like animation.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Iran’s Best Foreign Film Nominee: Asghar Farhadi’s A Separation</title>
		<link>http://www.btlnews.com/awards/irans-best-foreign-film-nominee-asghar-farhadis-a-separation/</link>
		<comments>http://www.btlnews.com/awards/irans-best-foreign-film-nominee-asghar-farhadis-a-separation/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 16:58:36 +0000</pubDate>
		<dc:creator>Jack Egan</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Crafts]]></category>
		<category><![CDATA[Direction]]></category>
		<category><![CDATA[Director Series]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24750</guid>
		<description><![CDATA[One of the surprises of this awards season is <em>A Separation</em>, a highly lauded film from Iran that has captivated reviewers and moviegoers and garnered two Oscar nominations. The beautifully photographed movie tells a multi-layered story of a modern-day couple in Tehran who are on the verge of a divorce. The wife wants to move abroad for a better life for their daughter but the husband wants to stay, in part because he won’t leave his father who has advanced Alzheimer’s.]]></description>
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		<title>Danish Director Nicolas Windng Refn Pushes Drive into High Gear</title>
		<link>http://www.btlnews.com/awards/danish-director-nicolas-windng-refn-pushes-drive-into-high-gear/</link>
		<comments>http://www.btlnews.com/awards/danish-director-nicolas-windng-refn-pushes-drive-into-high-gear/#comments</comments>
		<pubDate>Mon, 23 Jan 2012 16:51:14 +0000</pubDate>
		<dc:creator>Jack Egan</dc:creator>
				<category><![CDATA[Art Direction]]></category>
		<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Costume Design]]></category>
		<category><![CDATA[Direction]]></category>
		<category><![CDATA[Director Series]]></category>
		<category><![CDATA[Editing]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Industry Sector]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24336</guid>
		<description><![CDATA[<strong>Nicolas Windng Refn</strong>,<strong> </strong>director of <em>Drive</em>, doesn’t himself drive. He has failed his driver’s license test eight times. Yet the heralded Danish director came to Los Angeles, the city of cars, to make a film filled with some of the most authentic and exciting car chase sequences seen on the screen in years.]]></description>
		<wfw:commentRss>http://www.btlnews.com/awards/danish-director-nicolas-windng-refn-pushes-drive-into-high-gear/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
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		<title>Stephen Daldry&#8217;s Extremely Loud and Incredibly Close</title>
		<link>http://www.btlnews.com/awards/stephen-daldrys-extremely-loud-and-incredibly-close/</link>
		<comments>http://www.btlnews.com/awards/stephen-daldrys-extremely-loud-and-incredibly-close/#comments</comments>
		<pubDate>Fri, 13 Jan 2012 16:57:59 +0000</pubDate>
		<dc:creator>Mary Ann Skweres</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Direction]]></category>
		<category><![CDATA[Director Series]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24017</guid>
		<description><![CDATA[Once he read the book and script for <em>Extremely Loud and Incredibly Close</em>, it was "very simple" for Academy-Award nominated director <strong>Stephen Daldry</strong> to immediately say yes to directing the film for producer <strong>Scott Rudin</strong>,<strong> </strong>who he had worked with on <em>The Hours.</em> The first decision scriptwise was to see the story primarily through the boy Oskar's point of view, a character with a form of high functioning autism that makes those with the condition experience the world in unusual ways. ]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Rupert Wyatt&#8217;s Rise of the Planet of the Apes</title>
		<link>http://www.btlnews.com/awards/rupert-wyatts-rise-of-the-planet-of-the-apes/</link>
		<comments>http://www.btlnews.com/awards/rupert-wyatts-rise-of-the-planet-of-the-apes/#comments</comments>
		<pubDate>Thu, 05 Jan 2012 16:59:18 +0000</pubDate>
		<dc:creator>Mary Ann Skweres</dc:creator>
				<category><![CDATA[Art Direction]]></category>
		<category><![CDATA[Awards]]></category>
		<category><![CDATA[Camera]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Costume Design]]></category>
		<category><![CDATA[Crafts]]></category>
		<category><![CDATA[Direction]]></category>
		<category><![CDATA[Director Series]]></category>
		<category><![CDATA[Editing]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Industry Sector]]></category>
		<category><![CDATA[Sound]]></category>
		<category><![CDATA[Visual FX]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=23534</guid>
		<description><![CDATA[<em>Rise of the Planet of the Apes</em> tells an origin story that lays the foundation for the mythology of the first <em>Planet of the</em> <em>Apes</em> film, which takes place 3,000 years in the future. The success of the current film hinges on the believability of the main character, Caesar, a chimpanzee played by a human, that has been visually and audibly created using the most advanced techniques in filmmaking.]]></description>
		<wfw:commentRss>http://www.btlnews.com/awards/rupert-wyatts-rise-of-the-planet-of-the-apes/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
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		<title>Director J.C. Chandor Makes an Auspicious Debut with Margin Call</title>
		<link>http://www.btlnews.com/awards/director-j-c-chandor-makes-an-auspicious-debut-with-margin-call/</link>
		<comments>http://www.btlnews.com/awards/director-j-c-chandor-makes-an-auspicious-debut-with-margin-call/#comments</comments>
		<pubDate>Tue, 20 Dec 2011 16:59:49 +0000</pubDate>
		<dc:creator>Scott Lehane</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Crafts]]></category>
		<category><![CDATA[Direction]]></category>
		<category><![CDATA[Director Series]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Day 1]]></category>
		<category><![CDATA[Day 2]]></category>
		<category><![CDATA[Saved]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=22590</guid>
		<description><![CDATA[Set in the high-stakes world of the financial industry,<em> Margin Call</em> is an entangling thriller involving the key players at an investment firm during the first 24-hours of the 2008 financial crisis. Writer/director <strong>J.C. Chandor</strong>’s enthralling first feature is a stark portrayal of the financial industry and its denizens as they confront the decisions that shape our global future.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Brazil’s Entry for Best Foreign Film – Jose Padilha’s Elite Squad: The Enemy Within</title>
		<link>http://www.btlnews.com/commentary/director-series/brazils-entry-for-best-foreign-film-jose-padilhas-elite-squad-the-enemy-within/</link>
		<comments>http://www.btlnews.com/commentary/director-series/brazils-entry-for-best-foreign-film-jose-padilhas-elite-squad-the-enemy-within/#comments</comments>
		<pubDate>Thu, 08 Dec 2011 03:18:00 +0000</pubDate>
		<dc:creator>Jack Egan</dc:creator>
				<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Direction]]></category>
		<category><![CDATA[Director Series]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Day 4]]></category>
		<category><![CDATA[Saved]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=22039</guid>
		<description><![CDATA[<em>Elite Squad: The Enemy Within</em> is Brazil’s official entry in this year’s competition for the best foreign film Oscar. The often-violent action movie has a reality-based and politically explosive plot – an insider’s pursuit and exposure of deep-seated corruption in the top ranks of the country’s police and government. It has become Brazil’s all-time box office champ, taking in some $70 million to date, more than even <em>Avatar</em>.]]></description>
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