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	<title>Below the Line &#187; Director Series</title>
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		<title>Iran’s Best Foreign Film Nominee: Asghar Farhadi’s A Separation</title>
		<link>http://www.btlnews.com/awards/irans-best-foreign-film-nominee-asghar-farhadis-a-separation/</link>
		<comments>http://www.btlnews.com/awards/irans-best-foreign-film-nominee-asghar-farhadis-a-separation/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 16:58:36 +0000</pubDate>
		<dc:creator>Jack Egan</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Crafts]]></category>
		<category><![CDATA[Direction]]></category>
		<category><![CDATA[Director Series]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24750</guid>
		<description><![CDATA[One of the surprises of this awards season is <em>A Separation</em>, a highly lauded film from Iran that has captivated reviewers and moviegoers and garnered two Oscar nominations. The beautifully photographed movie tells a multi-layered story of a modern-day couple in Tehran who are on the verge of a divorce. The wife wants to move abroad for a better life for their daughter but the husband wants to stay, in part because he won’t leave his father who has advanced Alzheimer’s.]]></description>
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		<title>Danish Director Nicolas Windng Refn Pushes Drive into High Gear</title>
		<link>http://www.btlnews.com/awards/danish-director-nicolas-windng-refn-pushes-drive-into-high-gear/</link>
		<comments>http://www.btlnews.com/awards/danish-director-nicolas-windng-refn-pushes-drive-into-high-gear/#comments</comments>
		<pubDate>Mon, 23 Jan 2012 16:51:14 +0000</pubDate>
		<dc:creator>Jack Egan</dc:creator>
				<category><![CDATA[Art Direction]]></category>
		<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Costume Design]]></category>
		<category><![CDATA[Direction]]></category>
		<category><![CDATA[Director Series]]></category>
		<category><![CDATA[Editing]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Industry Sector]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24336</guid>
		<description><![CDATA[<strong>Nicolas Windng Refn</strong>,<strong> </strong>director of <em>Drive</em>, doesn’t himself drive. He has failed his driver’s license test eight times. Yet the heralded Danish director came to Los Angeles, the city of cars, to make a film filled with some of the most authentic and exciting car chase sequences seen on the screen in years.]]></description>
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		<title>Stephen Daldry&#8217;s Extremely Loud and Incredibly Close</title>
		<link>http://www.btlnews.com/awards/stephen-daldrys-extremely-loud-and-incredibly-close/</link>
		<comments>http://www.btlnews.com/awards/stephen-daldrys-extremely-loud-and-incredibly-close/#comments</comments>
		<pubDate>Fri, 13 Jan 2012 16:57:59 +0000</pubDate>
		<dc:creator>Mary Ann Skweres</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Direction]]></category>
		<category><![CDATA[Director Series]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24017</guid>
		<description><![CDATA[Once he read the book and script for <em>Extremely Loud and Incredibly Close</em>, it was "very simple" for Academy-Award nominated director <strong>Stephen Daldry</strong> to immediately say yes to directing the film for producer <strong>Scott Rudin</strong>,<strong> </strong>who he had worked with on <em>The Hours.</em> The first decision scriptwise was to see the story primarily through the boy Oskar's point of view, a character with a form of high functioning autism that makes those with the condition experience the world in unusual ways. ]]></description>
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		<title>Rupert Wyatt&#8217;s Rise of the Planet of the Apes</title>
		<link>http://www.btlnews.com/awards/rupert-wyatts-rise-of-the-planet-of-the-apes/</link>
		<comments>http://www.btlnews.com/awards/rupert-wyatts-rise-of-the-planet-of-the-apes/#comments</comments>
		<pubDate>Thu, 05 Jan 2012 16:59:18 +0000</pubDate>
		<dc:creator>Mary Ann Skweres</dc:creator>
				<category><![CDATA[Art Direction]]></category>
		<category><![CDATA[Awards]]></category>
		<category><![CDATA[Camera]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Costume Design]]></category>
		<category><![CDATA[Crafts]]></category>
		<category><![CDATA[Direction]]></category>
		<category><![CDATA[Director Series]]></category>
		<category><![CDATA[Editing]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Industry Sector]]></category>
		<category><![CDATA[Sound]]></category>
		<category><![CDATA[Visual FX]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=23534</guid>
		<description><![CDATA[<em>Rise of the Planet of the Apes</em> tells an origin story that lays the foundation for the mythology of the first <em>Planet of the</em> <em>Apes</em> film, which takes place 3,000 years in the future. The success of the current film hinges on the believability of the main character, Caesar, a chimpanzee played by a human, that has been visually and audibly created using the most advanced techniques in filmmaking.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Director J.C. Chandor Makes an Auspicious Debut with Margin Call</title>
		<link>http://www.btlnews.com/awards/director-j-c-chandor-makes-an-auspicious-debut-with-margin-call/</link>
		<comments>http://www.btlnews.com/awards/director-j-c-chandor-makes-an-auspicious-debut-with-margin-call/#comments</comments>
		<pubDate>Tue, 20 Dec 2011 16:59:49 +0000</pubDate>
		<dc:creator>Scott Lehane</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Crafts]]></category>
		<category><![CDATA[Direction]]></category>
		<category><![CDATA[Director Series]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Day 1]]></category>
		<category><![CDATA[Day 2]]></category>
		<category><![CDATA[Saved]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=22590</guid>
		<description><![CDATA[Set in the high-stakes world of the financial industry,<em> Margin Call</em> is an entangling thriller involving the key players at an investment firm during the first 24-hours of the 2008 financial crisis. Writer/director <strong>J.C. Chandor</strong>’s enthralling first feature is a stark portrayal of the financial industry and its denizens as they confront the decisions that shape our global future.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Brazil’s Entry for Best Foreign Film – Jose Padilha’s Elite Squad: The Enemy Within</title>
		<link>http://www.btlnews.com/commentary/director-series/brazils-entry-for-best-foreign-film-jose-padilhas-elite-squad-the-enemy-within/</link>
		<comments>http://www.btlnews.com/commentary/director-series/brazils-entry-for-best-foreign-film-jose-padilhas-elite-squad-the-enemy-within/#comments</comments>
		<pubDate>Thu, 08 Dec 2011 03:18:00 +0000</pubDate>
		<dc:creator>Jack Egan</dc:creator>
				<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Direction]]></category>
		<category><![CDATA[Director Series]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Day 4]]></category>
		<category><![CDATA[Saved]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=22039</guid>
		<description><![CDATA[<em>Elite Squad: The Enemy Within</em> is Brazil’s official entry in this year’s competition for the best foreign film Oscar. The often-violent action movie has a reality-based and politically explosive plot – an insider’s pursuit and exposure of deep-seated corruption in the top ranks of the country’s police and government. It has become Brazil’s all-time box office champ, taking in some $70 million to date, more than even <em>Avatar</em>.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Director Dee Rees Makes a Forceful Debut With Pariah</title>
		<link>http://www.btlnews.com/crafts/director-dee-rees-makes-a-forceful-debut-with-pariah/</link>
		<comments>http://www.btlnews.com/crafts/director-dee-rees-makes-a-forceful-debut-with-pariah/#comments</comments>
		<pubDate>Mon, 05 Dec 2011 16:40:40 +0000</pubDate>
		<dc:creator>Leslie Lindeman</dc:creator>
				<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Crafts]]></category>
		<category><![CDATA[Direction]]></category>
		<category><![CDATA[Director Series]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=21871</guid>
		<description><![CDATA[Talking or reading about the film, <em>Pariah</em>, you immediately learn the movie is about a 17 year-old lesbian. She hangs out at a lesbian nightclub, she has lesbian girlfriends, she has trouble with her parents when they suspect she’s a lesbian and she struggles inwardly with coming out as… a lesbian. Unless you are talking to <strong>Dee Rees</strong>, the film’s writer/director.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>New Cronenberg Film Probes the Birth of Psychoanalysis</title>
		<link>http://www.btlnews.com/awards/new-cronenberg-film-probes-the-birth-of-psychoanalysis/</link>
		<comments>http://www.btlnews.com/awards/new-cronenberg-film-probes-the-birth-of-psychoanalysis/#comments</comments>
		<pubDate>Thu, 01 Dec 2011 16:59:11 +0000</pubDate>
		<dc:creator>Jack Egan</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Direction]]></category>
		<category><![CDATA[Director Series]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Day 3]]></category>
		<category><![CDATA[Saved]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=21751</guid>
		<description><![CDATA[Director <strong>David Cronenberg</strong> describes his ambitious and audacious new film, <em>A Dangerous Method, </em>about the birth of psychoanalysis in the early part of the 20<sup>th</sup> century, as an “intellectual action movie.”  The real-life story revolves around the complex personal interaction of psychiatry’s pioneering practitioners, <strong>Sigmund Freud</strong> and <strong>Carl Jung</strong>, played by <strong>Vigo Mortensen</strong> and <strong>Michael Fassbender</strong>. The third main character, <strong>Keira Knightley</strong> as <strong>Sabina Spielrein</strong>, a deeply-troubled Russian woman who is treated by Jung and then Freud, and is involved in a fetishistic sexual relationship with the former.]]></description>
		<wfw:commentRss>http://www.btlnews.com/awards/new-cronenberg-film-probes-the-birth-of-psychoanalysis/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Carlos Saldanha Captures the Brazilian Vibe for Rio</title>
		<link>http://www.btlnews.com/commentary/director-series/carlos-saldanha-captures-the-brazilian-vibe-for-rio/</link>
		<comments>http://www.btlnews.com/commentary/director-series/carlos-saldanha-captures-the-brazilian-vibe-for-rio/#comments</comments>
		<pubDate>Wed, 30 Nov 2011 16:58:13 +0000</pubDate>
		<dc:creator>Scott Lehane</dc:creator>
				<category><![CDATA[Animation]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Director Series]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Day 5]]></category>
		<category><![CDATA[Saved]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=21721</guid>
		<description><![CDATA[<strong>Carlos Saldanha</strong>’s charming animated film <em>Rio</em> tells the story of Blu – a domesticated Macaw who never learned to fly, enjoying a sheltered life with his owner Linda in Minnesota. Blu and Linda think he’s the last of his kind, but when they learn about another macaw who lives in Rio de Janeiro, they head to the faraway and exotic land to find Jewel, Blu’s soul mate.]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Scorsese Hails His Below-the-Line Collaborators for the Enchanting Hugo</title>
		<link>http://www.btlnews.com/crafts/scorsese-hails-his-below-the-line-collaborators-for-the-enchanting-hugo/</link>
		<comments>http://www.btlnews.com/crafts/scorsese-hails-his-below-the-line-collaborators-for-the-enchanting-hugo/#comments</comments>
		<pubDate>Mon, 07 Nov 2011 16:24:18 +0000</pubDate>
		<dc:creator>Scott Essman</dc:creator>
				<category><![CDATA[Camera]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Crafts]]></category>
		<category><![CDATA[Direction]]></category>
		<category><![CDATA[Director Series]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Day 2]]></category>
		<category><![CDATA[Saved]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=20951</guid>
		<description><![CDATA[A renowned student of film history and craftsmanship, director <strong>Martin Scorsese </strong>was eager to acknowledge his many collaborators, both present and in name only, for his new fantasy film, <em>Hugo</em> at a special event in Los Angeles on Nov. 5.  Flanked by cinematographer <strong>Robert Richardson</strong>, composer <strong>Howard Shore</strong>, production designer <strong>Dante Ferretti</strong>, editor <strong>Thelma Schoonmaker</strong>, and visual effects supervisor <strong>Robert Legato</strong>, Scorsese described the making of this magical fairy tale, certainly a departure from his métier of personal projects. ]]></description>
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