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	<title>Below the Line &#187; Featured</title>
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		<title>Embracing the Digital Divide in a Dazzling year for Cinematography</title>
		<link>http://www.btlnews.com/awards/embracing-the-digital-divide-in-a-dazzling-year-for-cinematography/</link>
		<comments>http://www.btlnews.com/awards/embracing-the-digital-divide-in-a-dazzling-year-for-cinematography/#comments</comments>
		<pubDate>Tue, 07 Feb 2012 16:58:21 +0000</pubDate>
		<dc:creator>Jack Egan</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Camera]]></category>
		<category><![CDATA[Crafts]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[For Your Consideration]]></category>
		<category><![CDATA[Industry Sector]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=25023</guid>
		<description><![CDATA[It’s been a banner year for fans of cinematography in terms of both quality and variety. But motion picture cinematography is also at a crossroads. The film medium, dominant ever since the beginning of moviemaking over a century ago, is on the wane, in large part due to economic pressures.  Meanwhile digital motion picture cameras, though still in their relative infancy, are rapidly evolving in terms of technology, mobility and sophistication.]]></description>
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		<title>Art Directors Guild Honors Production Designers for Hugo, Girl With the Dragon Tattoo and Harry Potter</title>
		<link>http://www.btlnews.com/awards/art-directors-guild-honors-production-designers-for-hugo-girl-with-the-dragon-tattoo-and-harry-potter/</link>
		<comments>http://www.btlnews.com/awards/art-directors-guild-honors-production-designers-for-hugo-girl-with-the-dragon-tattoo-and-harry-potter/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 16:58:42 +0000</pubDate>
		<dc:creator>Jack Egan</dc:creator>
				<category><![CDATA[Art Direction]]></category>
		<category><![CDATA[Awards]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Television]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=25006</guid>
		<description><![CDATA[The production designers for <em>Hugo</em>, <em>The Girl With the Dragon Tattoo </em>and <em>Harry Potter and the Deathly Hallows Part 2</em> won top prizes in the three feature film categories at the 16<sup>th</sup> annual <strong>Art Directors Guild</strong> “Excellence in Production Design” dinner held at the Beverly Hilton Hotel Saturday night.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>A Level Playing Field at the 2012 Annies</title>
		<link>http://www.btlnews.com/awards/a-level-playing-field-at-the-2012-annies/</link>
		<comments>http://www.btlnews.com/awards/a-level-playing-field-at-the-2012-annies/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 16:58:20 +0000</pubDate>
		<dc:creator>Scott Essman</dc:creator>
				<category><![CDATA[Animation]]></category>
		<category><![CDATA[Awards]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Television]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=25001</guid>
		<description><![CDATA[After great controversy over the domination of a select few companies at the 2010 Annies, the <strong>International Animated Film Society</strong> presented a more egalitarian approach at the 2012 awards.   <strong>ASIFA – Hollywood</strong> offered entries from many companies in many categories at the Feb. 4 awards show, which had been criticized for being relegated to only a few firms garnering top wins previously.  While <strong>DreamWorks Animation</strong>, <strong>Pixar</strong> and <strong>Disney</strong> still reign as top box-office earners with their productions, and <em>The Simpsons</em> is still a lauded and steadily awarded TV show, other lesser-known companies managed to gain due attention, both in individual nominated and awarded form with the 28 awards given out in 2012.]]></description>
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		<title>Act of Valor: Immersive Filmmaking with the Canon 5D</title>
		<link>http://www.btlnews.com/crafts/camera/act-of-valor-immersive-filmmaking-with-the-canon-5d/</link>
		<comments>http://www.btlnews.com/crafts/camera/act-of-valor-immersive-filmmaking-with-the-canon-5d/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 16:58:04 +0000</pubDate>
		<dc:creator>Mary Ann Skweres</dc:creator>
				<category><![CDATA[Camera]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=25003</guid>
		<description><![CDATA[<strong>BTL Screening Series</strong> hosted a special screening of <em>Act of Valor</em> late last week followed by a lively panel discussion with key members of the camera department. Inspired by true events,<em> Act of Valor </em>is set in the secretive world of the most elite, highly trained group of warriors in the modern world – the Navy SEALs. Combining stunning combat sequences with up-to-the minute battlefield and filmmaking technology, the film uses active duty SEALs and their families to create a narrative story grounded in real-life experience.]]></description>
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		<title>Super Bowl Spots</title>
		<link>http://www.btlnews.com/crafts/direction/super-bowl-spots/</link>
		<comments>http://www.btlnews.com/crafts/direction/super-bowl-spots/#comments</comments>
		<pubDate>Fri, 03 Feb 2012 16:59:23 +0000</pubDate>
		<dc:creator>Scott Lehane</dc:creator>
				<category><![CDATA[Commercials]]></category>
		<category><![CDATA[Direction]]></category>
		<category><![CDATA[Events]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24937</guid>
		<description><![CDATA[For the commercial production industry, Super Bowl Sunday is the main event of the year. With an estimated audience of 111 million people, and a 30-second spot going for $3.5 million, Super Bowl advertising demands the highest production values, and top-notch talent.
]]></description>
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		<title>Iran’s Best Foreign Film Nominee: Asghar Farhadi’s A Separation</title>
		<link>http://www.btlnews.com/awards/irans-best-foreign-film-nominee-asghar-farhadis-a-separation/</link>
		<comments>http://www.btlnews.com/awards/irans-best-foreign-film-nominee-asghar-farhadis-a-separation/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 16:58:36 +0000</pubDate>
		<dc:creator>Jack Egan</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Crafts]]></category>
		<category><![CDATA[Direction]]></category>
		<category><![CDATA[Director Series]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24750</guid>
		<description><![CDATA[One of the surprises of this awards season is <em>A Separation</em>, a highly lauded film from Iran that has captivated reviewers and moviegoers and garnered two Oscar nominations. The beautifully photographed movie tells a multi-layered story of a modern-day couple in Tehran who are on the verge of a divorce. The wife wants to move abroad for a better life for their daughter but the husband wants to stay, in part because he won’t leave his father who has advanced Alzheimer’s.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Contender – Visual Effects Supervisor Matthew Butler, Transformers: Dark of the Moon</title>
		<link>http://www.btlnews.com/awards/contender-visual-effects-supervisor-matthew-butler-transformers-dark-of-the-moon/</link>
		<comments>http://www.btlnews.com/awards/contender-visual-effects-supervisor-matthew-butler-transformers-dark-of-the-moon/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 16:58:13 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Visual FX]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24752</guid>
		<description><![CDATA[<strong>Digital Domain</strong>’s <strong>Matthew Butler</strong> finds himself with his first Academy Award nomination, one of the co-VFX supervisors on <em>Transformers: Dark of the Moon</em>, along with <strong>Scott Farrar</strong>, who suped for <strong>ILM</strong>’s share of the work, and special effects supervisor <strong>John Frazier</strong>. Animation director <strong>Scott</strong> <strong>Benza</strong> rounds out the quartet.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Contender – Visual Effects Supervisor Erik Nash, Real Steel</title>
		<link>http://www.btlnews.com/awards/contender-%e2%80%93-visual-effects-supervisor-erik-nash-real-steel/</link>
		<comments>http://www.btlnews.com/awards/contender-%e2%80%93-visual-effects-supervisor-erik-nash-real-steel/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 16:55:43 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Visual FX]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24619</guid>
		<description><![CDATA[In Oscar’s “final five” in the visual effects category, <strong>Erik Nash</strong> finds himself nominated as the VFX supervisor for the robotic fisticuffs opus, <em>Real Steel</em>, along with very busy animatronic supevisor <strong>John Rosengrant</strong>, animation supervisor <strong>Dan Taylor</strong>, and digital effects supervisor <strong>Swen Gillbert</strong>.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Academy Award Nominations</title>
		<link>http://www.btlnews.com/awards/academy-award-nominations/</link>
		<comments>http://www.btlnews.com/awards/academy-award-nominations/#comments</comments>
		<pubDate>Tue, 24 Jan 2012 12:09:28 +0000</pubDate>
		<dc:creator>Mark London Williams</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Crafts]]></category>
		<category><![CDATA[Events]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24407</guid>
		<description><![CDATA[And so here we are, on State of the Union day, as – on America’s other coast – Oscar nominations are announced and a different media frenzy begins. Which might be more fatuous or less serious, we leave to you.

But both processes are similar, as early caucuses and primaries – in this case, other pre-Oscar award shows – help solidify favorites ahead of the “final vote,” which usually comes down to a frontrunner and a main alternate.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Contender – Director of Photography Emmanuel Lubezki, The Tree of Life</title>
		<link>http://www.btlnews.com/awards/contender-director-of-photography-emmanuel-lubezki-the-tree-of-life/</link>
		<comments>http://www.btlnews.com/awards/contender-director-of-photography-emmanuel-lubezki-the-tree-of-life/#comments</comments>
		<pubDate>Tue, 24 Jan 2012 12:05:18 +0000</pubDate>
		<dc:creator>Jack Egan</dc:creator>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Camera]]></category>
		<category><![CDATA[Contender Portfolios]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Morning News]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=24421</guid>
		<description><![CDATA[“On most films I’ve worked on, the most important thing is to 'make the day,'" (keep to the shooting schedule) says <strong>Emmanuel Lubezki</strong>, director of photography on <em>The Tree</em> <em>of Life</em>, helmed by imagistic director <strong>Terence Malick</strong>. “Working with Terry, sometimes I can shoot a whole day and not know if there’s anything that’s going to be usable.”]]></description>
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