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	<title>Below the Line &#187; Postproduction</title>
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	<description>Voice of the Crew</description>
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		<title>Corus Entertainment Selects Quantel Genetic Engineering and eQ for New Headquarters</title>
		<link>http://www.btlnews.com/crafts/post-production/corus-entertainment-selects-quantel-genetic-engineering-and-eq-for-new-headquarters/</link>
		<comments>http://www.btlnews.com/crafts/post-production/corus-entertainment-selects-quantel-genetic-engineering-and-eq-for-new-headquarters/#comments</comments>
		<pubDate>Wed, 23 Jun 2010 13:05:21 +0000</pubDate>
		<dc:creator>Staff</dc:creator>
				<category><![CDATA[Gear]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Postproduction]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=10837</guid>
		<description><![CDATA[Corus Entertainment, one of Canada&#8217;s most successful integrated media and entertainment companies, has selected Quantel&#8217;s Genetic Engineering shared workflow and eQ post production systems for Corus&#8217; postproduction online facility in the company&#8217;s new Toronto headquarters, Corus Quay. The systems are being supplied by BSE, Quantel&#8217;s Canadian reseller. The first Genetic Engineering system, with three Quantel [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Light Illusion Launches LightSpace CMS</title>
		<link>http://www.btlnews.com/crafts/post-production/light-illusion-launches-lightspace-cms/</link>
		<comments>http://www.btlnews.com/crafts/post-production/light-illusion-launches-lightspace-cms/#comments</comments>
		<pubDate>Wed, 16 Jun 2010 15:04:10 +0000</pubDate>
		<dc:creator>Staff</dc:creator>
				<category><![CDATA[Camera]]></category>
		<category><![CDATA[Gear]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Postproduction]]></category>
		<category><![CDATA[Visual FX]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=10815</guid>
		<description><![CDATA[Light Illusion recently released LightSpace CMS – a full featured Color Management System (CMS), which builds on the company’s widely adopted LUT Manager display and calibration software. The development of Light Illusion’s software and services is directly driven by needs recognized through the company’s consultancy and real-world experience. The launch of LightSpace CMS brings major [...]]]></description>
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		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Tiffen Announces New Photo fx Ultra For Apple iPad</title>
		<link>http://www.btlnews.com/crafts/post-production/tiffen-announces-new-photo-fx-ultra-for-apple-ipad/</link>
		<comments>http://www.btlnews.com/crafts/post-production/tiffen-announces-new-photo-fx-ultra-for-apple-ipad/#comments</comments>
		<pubDate>Mon, 14 Jun 2010 20:42:30 +0000</pubDate>
		<dc:creator>Staff</dc:creator>
				<category><![CDATA[Camera]]></category>
		<category><![CDATA[Gear]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Postproduction]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=10809</guid>
		<description><![CDATA[The Tiffen Company, a leading manufacturer of accessories for the still imaging, motion picture and broadcast markets, announced that Photo fx Ultra, the anticipated version of Photo fx, its award winning photo enhancement app, is now available for the Apple iPad. Photo fx Ultra offers an elegant new user interface that takes full advantage of [...]]]></description>
		<wfw:commentRss>http://www.btlnews.com/crafts/post-production/tiffen-announces-new-photo-fx-ultra-for-apple-ipad/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>Framestore Creates CG Rodent Rappers For Kia</title>
		<link>http://www.btlnews.com/crafts/post-production/framestore-creates-cg-rodent-rappers-for-kia/</link>
		<comments>http://www.btlnews.com/crafts/post-production/framestore-creates-cg-rodent-rappers-for-kia/#comments</comments>
		<pubDate>Mon, 14 Jun 2010 12:50:09 +0000</pubDate>
		<dc:creator>Staff</dc:creator>
				<category><![CDATA[Animation]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Postproduction]]></category>
		<category><![CDATA[Visual FX]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=10752</guid>
		<description><![CDATA[<strong>Framestore</strong> recently spent three months creating 45 photoreal CG rodent rap stars for <strong>David &#38; Goliath</strong>'s new <strong>Kia</strong> Soul spot, "This or That." The spot was directed by <strong>Partizan</strong>'s <strong>Antoine Bardou-Jacquet</strong>.]]></description>
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		<slash:comments>2</slash:comments>
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		<title>Boris FX Introduces New AAF Transfer Plug-In for Avid</title>
		<link>http://www.btlnews.com/crafts/post-production/boris-fx-introduces-new-aaf-transfer-plug-in-for-avid/</link>
		<comments>http://www.btlnews.com/crafts/post-production/boris-fx-introduces-new-aaf-transfer-plug-in-for-avid/#comments</comments>
		<pubDate>Tue, 08 Jun 2010 14:03:53 +0000</pubDate>
		<dc:creator>Staff</dc:creator>
				<category><![CDATA[Editing]]></category>
		<category><![CDATA[Gear]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Postproduction]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=10774</guid>
		<description><![CDATA[Boris FX announced Boris AAF Transfer, a new plug-in designed for seamless transfer of Apple Final Cut Pro sequences to Avid Media Composer. Boris AAF Transfer uses Avid’s new AMA (Avid Media Access) architecture to transfer Final Cut Pro sequences without the need for transcoding or rewrapping. “Improved integration between Adobe, Apple, and Avid continues [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Neil Marshall&#8217;s Epic Thriller Centurion Takes Editshare&#8217;s Lightworks into Battle</title>
		<link>http://www.btlnews.com/crafts/post-production/neil-marshalls-epic-thriller-centurion-takes-editshares-lightworks-into-battle/</link>
		<comments>http://www.btlnews.com/crafts/post-production/neil-marshalls-epic-thriller-centurion-takes-editshares-lightworks-into-battle/#comments</comments>
		<pubDate>Tue, 08 Jun 2010 13:02:04 +0000</pubDate>
		<dc:creator>Staff</dc:creator>
				<category><![CDATA[Editing]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Postproduction]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=10764</guid>
		<description><![CDATA[<strong>EditShare</strong> announced that award-winning editor <strong>Chris Gill</strong> utilized Lightworks to edit <strong>Neil Marshall</strong>'s latest adrenaline-fused thriller, <em>Centurion</em>. Released in the United Kingdom in April 2010, and scheduled for a domestic release in August 2010, <em>Centurion</em> relays the gripping tale of a Pict camp raided by Romans, in an effort to rescue a captured General during their 2nd century conquest of Britain. ]]></description>
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		<slash:comments>1</slash:comments>
		</item>
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		<title>Stephen Nakamura Colors Waiting for Superman</title>
		<link>http://www.btlnews.com/crafts/post-production/stephen-nakamura-colors-waiting-for-superman/</link>
		<comments>http://www.btlnews.com/crafts/post-production/stephen-nakamura-colors-waiting-for-superman/#comments</comments>
		<pubDate>Wed, 10 Feb 2010 17:59:45 +0000</pubDate>
		<dc:creator>Staff</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Postproduction]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=9935</guid>
		<description><![CDATA[Oscar-winning documentarian Davis Guggenheim recently turned to Santa Monica-based Company 3 and colorist Stephen Nakamura for the DI work on his powerful new documentary, Waiting for Superman. Nakamura, who has brought his sensitivity and technical savvy to blockbuster features including James Bond action thriller Quantum of Solace and upcoming Russell Crowe adventure Robin Hood, was [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>I.E. Effects Boosts Stereo 3D Pipeline with Isilon Storage</title>
		<link>http://www.btlnews.com/crafts/post-production/i-e-effects-boosts-stereo-3d-pipeline-with-isilon-storage/</link>
		<comments>http://www.btlnews.com/crafts/post-production/i-e-effects-boosts-stereo-3d-pipeline-with-isilon-storage/#comments</comments>
		<pubDate>Tue, 09 Feb 2010 22:16:08 +0000</pubDate>
		<dc:creator>Staff</dc:creator>
				<category><![CDATA[Facility in Focus]]></category>
		<category><![CDATA[Gear]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Postproduction]]></category>
		<category><![CDATA[Visual FX]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=9944</guid>
		<description><![CDATA[I.E. Effects has installed an Isilon IQ6000x cluster storage system at its Culver City location. With several large stereoscopic projects currently active, the Isilon system expands the company’s ability to manage the data and throughput requirements of multiple jobs. For clients this means increased efficiency and reliability for demanding stereo 3D projects. The clustered Isilon [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Digital Vision and CineForm Partner to Support Silicon Imaging&#8217;s SI-2k Camera</title>
		<link>http://www.btlnews.com/crafts/post-production/digital-vision-and-cineform-partner-to-support-silicon-imagings-si-2k-camera/</link>
		<comments>http://www.btlnews.com/crafts/post-production/digital-vision-and-cineform-partner-to-support-silicon-imagings-si-2k-camera/#comments</comments>
		<pubDate>Mon, 01 Feb 2010 15:17:58 +0000</pubDate>
		<dc:creator>Scott Lehane</dc:creator>
				<category><![CDATA[Camera]]></category>
		<category><![CDATA[Gear]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Postproduction]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/blog-the-line/digital-vision-and-cineform-partner-to-support-silicon-imagings-si-2k-camera/</guid>
		<description><![CDATA[Digital Vision has partnered with CineForm as a key element of its forthcoming Nucoda 2009.1 release. The new color grading/DI software, which will be unveiled at Broadcast Video Expo in London, Feb. 16-18, will include native support for the CineForm RAW format used by Silicon Imaging’s highly acclaimed SI-2k camera. “Following a popular industry trend [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>The Making of Avatar</title>
		<link>http://www.btlnews.com/crafts/post-production/the-making-of-avatar/</link>
		<comments>http://www.btlnews.com/crafts/post-production/the-making-of-avatar/#comments</comments>
		<pubDate>Tue, 15 Dec 2009 22:05:56 +0000</pubDate>
		<dc:creator>Scott Essman</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Postproduction]]></category>
		<category><![CDATA[Visual FX]]></category>
		<category><![CDATA[99]]></category>

		<guid isPermaLink="false">http://www.btlnews.com/?p=6765</guid>
		<description><![CDATA[<strong>James Cameron</strong>’s long-awaited epic fantasy <em>Avatar</em> is definitely “titanic” in size and scope. “It’s got a big story—that’s where it starts,” said producer <strong>Jon Landau</strong>, who also produced Cameron’s last film, <em>Titanic</em>. “Jim created a story that called for a world that did not exist. The technology did not exist before <em>Titanic</em>. The technical hurdle was creating the closeup. In the center of our world, we have CGI characters—and movies are all about the closeup.”]]></description>
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		<slash:comments>6</slash:comments>
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