Monday, May 6, 2024
Subscribe Now

Voice Of The Crew - Since 2002

Los Angeles, California

HomeIndustry SectorFilmThe Sound of The Lost Thing

The Sound of The Lost Thing

-

SoundWorks Collection: “The Lost Thing” from Michael Coleman on Vimeo.

The story of The Lost Thing is about a boy who discovers a bizarre looking creature while out collecting bottle tops at the beach. Having guessed it is lost, he tries to find out who owns it or where it belongs, but is met with mute indifference from everyone else, who barely notice its presence, each unwilling to entertain this uninvited interruption to their day to day lives. For reasons he does not explain, the boy empathizes with the creature, and sets out to find a ‘place’ for it.

Supervising sound editor and sound designer John Kassab discusses his extensive work on this animated masterpiece bringing to life the world of The Lost Thing.

Directors Shaun Tan and Andrew Ruhemann were also winners for Best Animated Short Film for The Lost Thing at the 83rd Academy Awards in 2011.

Movie Studio:
Passion Pictures Australia

Sound Studio:
Pin Point

Directed by:
Andrew Ruhemann
Shaun Tan

Original Music by:
Michael Yezerski

Sound Credits:
Adrian Medhurst – Foley Artist / Sound Editor
Daniel Varricchio – Sound Editor
Bart Bee – Sound Effects Recordist (Backgrounds)
Brendan Croxon – Narration Recordist
Doron Kipen – Sound Re-recording Mixer
John Kassab – Supervising Sound Editor / Sound Designer

Courtesy of SoundWorks Collection.

- Advertisment -

Popular

Animated Storyboards Opens Toronto Office

0
Animated Storyboards announced that it has launched a new office in Toronto. Maria Hanafy will lead the new studio as managing director, along with four additional staffers - a director, producer, marketing associate and animator/editor. This marks the 10th office for Animated Storyboards, with offices in New York, Chicago, Los Angeles, London, São Paulo, Bangkok, Tel Aviv, Düsseldorf and Shanghai. The 4,300-square-foot office will collaborate closely with sister facilities, whose global infrastructure currently includes nearly 300 full-time in-house illustrators, designers, directors, producers and 2D and 3D artists. The facility includes three edit suites, a state-of-the-art audio studio, a conference room and a spacious lobby area for client use.

Beowulf and 3-D

Time for a Pivot