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Tuesday, September 26, 2023
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Awards
Contender Portfolios
Emmy Watch
For Your Consideration
Nominations
Columns
Above the Line Newsflash
Accidental Turitz
Director Series
End of Week Production Notes
Facility in Focus
Hump Day News Update
ICM
Making the Scene
Over the Weekend
Community
Events
Film Trailers
Footnotes
Help Wanted
Obituaries
Prime Time Softball League
Composers
Crafts
Animation
Art Direction
Camera
Choreography
Costume Design
Direction
Editing
Makeup
Postproduction
Crafts Spotlight
Featured
Gear
IMC
Industry Master Calendar
Industry Sector
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Film
New Media
Interviews
Music
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Costume Design
Firefly Lane Costume Designer Allisa Swanson On Character’s Clothing Designs Spanning Four Decades
Robin Milling
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September 21, 2023
Editing
A Haunting in Venice Editor Lucy Donaldson Trusts Audiences
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Gear
Trilith Studios Atlanta Opens for Cine Gear Expo on Oct. 6 and 7, 2023
Staff
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Visual FX
Digital Domain, PRG Announce Co-Brand Partnership for VFX, Virtual Production Services
Staff
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September 19, 2023
Reviews
Telluride Review: Andrew Scott and Paul Mescal Electrify in Fantasy Romance All of Us Strangers
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September 19, 2023
Crafts
Winning Time: The Rise of the Lakers Dynasty Production Designer Richard Toyon on Getting the Colors of the Era Just Right
Abe Friedtanzer
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September 19, 2023
Reviews
TIFF Review: NYAD Offers a Bold, Inspiring Story of Woman vs. Nature
Edward Douglas
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September 18, 2023
Costume Design
Winning Time: The Rise of the Lakers Dynasty Costume Designer Emma Potter On Slam Dunk Replicated Looks
Robin Milling
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September 18, 2023
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Latest Articles
Makeup
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Casting Director Sharon Bialy Reminisces on 30th Anniversary of Rudy and Looks Back on Own Career Beginnings
Interviews
Creamerie Cinematographer Marty Smith On Filming New Zealand With The New ARRI Alexa
Costume Design
Firefly Lane Costume Designer Allisa Swanson On Character’s Clothing Designs Spanning Four Decades
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