When Filmmaker Niki Karo (Whale Rider) took on her most ambitious project, attempting to bring Disney’s beloved animated film Mulan into a live action setting, she called upon one of her longest collaborators, Hair, Make-Up and Prosthetic Designer Denise Kum, who had worked with Karo going back to their student film days. Mulan stars... »
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Posted in Contender Portfolios, Featured, Film, Interviews, Makeup |
It’s been a busy week with a ton of awards nominations, and it’s looking to be a busier than usual weekend at the movies, as theaters in New York City reopen for the first time in nearly a year with a number of new offerings like Walt Disney Studios‘ animated Raya and the Last Dragon, Lionsgate‘s Chaos Walking, Focus Features‘ Boogie... »
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Posted in Awards, End of Week Production Notes, Featured, Film, News, Television |
With many awards groups, whether it be the Academy of Motion Picture Arts and Sciences or various technical guilds and societies preparing to vote for the best motion pictures of 2020 over the next two months, this seemed like a good time to collect all of Below the Line’s coverage and interviews with the... »
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Posted in Awards, Contender Portfolios, Crafts, Featured, Film |
When Eddie Murphy and Arsenio Hall decided to revisit their characters from their popular 1989 comedy, Coming to America, they turned to Director Craig Brewer, who had done such a great job with Murphy’s previous film, Dolemite is My Name. Dolemite helped put Murphy back into the public consciousness, as well as into the... »
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Posted in Featured, Film, Interviews |
It is officially March today, and the big news over the weekend was the Golden Globes, given out by the Hollywood Foreign Press Association (HFPA) each year to all sorts of pomp and circumstance and maybe a little more controversy than usual. The Golden Globes were handed out on Sunday night, February 28, and... »
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Every musician and composer has a different journey on their path to scoring for films and television, which is why there’s so much range and variety in the types of music used to embellish the sound and visuals of the media we consume. That’s particularly the case with Lee Isaac Chung’s Minari, a deeply... »
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Posted in Composers, Featured, Film, Interviews, Music |
There must have been something in the air this past week as almost every studio and streamer seemed to have news about new projects in development, actor and filmmaker attachments or just general announcements. Part of it might have been the European Film Market (EFM) taking place in (virtual) Berlin next week, but it... »
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Posted in End of Week Production Notes, Featured, Film, News, Television |
Below the Line likes to shine the spotlight on some of the fresher new voices coming from the independent film space, as is the case with composer Nathan Halpern, who has done some amazing work over the past ten years or so. Halpern scored Chloé Zhao’s second film, The Rider, in 2017, and Bing... »
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Posted in Composers, Featured, Film, Interviews, Music |
Director Tim Story has been making movies for over two decades, but it wasn’t until around 2002 when Story’s ability with comedy came to the forefront as he directed Ice Cube’s Barbershop in 2002. That was followed by the odd couple pairing of Jimmy Fallon and Queen Latifah for a remake of Luc Besson’s... »
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Posted in Director Series, Featured, Film, Interviews |
George Clooney’s The Midnight Sky, adapted from Lily Brooks-Dalton’s 2016 apocalyptic novel, Good Morning, Midnight, is the type of movie where you would expect there to be a lot of VFX. From the harsh, windy and snow-swept Arctic environment where Clooney’s lone scientist Augustine is stationed, to the spaceship Aether, where some of the... »
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Posted in Featured, Film, Interviews, Visual FX |