Sunday, September 15, 2024
Subscribe Now

Voice Of The Crew - Since 2002

Los Angeles, California

HomeAwardsACE Awards

ACE Awards

-

By Sam Molineaux
The Lord of the Rings: The Return of the King and Pirates of the Caribbean: The Curse of the Black Pearl were top scorers at the 54th annual ACE Eddie awards, at the Beverly Hilton, Feb. 14.
Rings’ editor Jamie Selkirk, who won the award for best edited feature film (dramatic) was all smiles. “It’s especially great to be recognized like this by your peers,” said the cheery New Zealander. Sharing the top prize were editors Craig Wood, Stephen Rivkin, A.C.E. and Arthur Schmidt for Pirates, which sailed home in the best edited feature film (comedy or musical) category.
In the TV category, Peter Chakos outpaced the competition in the best edited half-hour series for television category, for Will and Grace “Last Ex to Brooklyn”; fortune shone down on John Bloom and Antonia Van Drimmelen for Angels in America, Part 1, which won best edited miniseries or movie for non-commercial television; Mark Conte, A.C.E. reigned supreme in the best edited miniseries or movie for commercial television category for Caesar, Part 2; and it was Scott Powell, A.C.E.’s day, winning the Eddie for best edited one-hour series for television for 24 “10pm–11pm.”
Best edited documentary award went to Yana Gorskaya for Spellbound, and Sheridan Institute of Technology student Thomas Berger earned the ACE student award.
Princess Diaries stars Julie Andrews, Anne Hathaway and Hector Elizondo reunited to present producer, director and writer Garry Marshall with the ACE Golden Eddie Filmmaker of the Year award. The 54-year-old organization also recognized the lifetime achievements of editors Donn Cambern, A.C.E. and John A. Martinelli, A.C.E., and presented the Robert Wise Award to The Hollywood Reporter’s technology journalist Sheigh Crabtree.

- Advertisment -

Popular

Vicon Introduces Mobile Mocap at SIGGRAPH

1
Motion capture systems developer Vicon is previewing a futuristic new “Mobile Mocap” technology at SIGGRAPH 2011 in Vancouver. Moving mocap out of the lab and into the field, Vicon's Mobile Mocap system taps several new technologies, many years in the making. At the heart of Mobile Mocap is a very small lipstick-sized camera that enables less obtrusive, more accurate facial animation data. The new cameras capture 720p (1280X720) footage at 60 frames per second. In addition, a powerful processing unit synchronizes, stores, and wirelessly transmits the data, all in a tiny wearable design.
Mulan

Mulan Review