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Voice Of The Crew - Since 2002

Los Angeles, California

DVD Reviews

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Director Ernst Lubitsch’s last great work from 1943 (and first film in color), in collaboration with his favorite writer, Samson Raphaelson, is a graceful, charming and captivating ode to marriage, mortality and memory. Underrated Don Ameche, convinced he should go to Hell after a life of philandering, describes his rather benign life to Satan (Laird Cregar), save for his remarkable marriage to the inspired Gene Tierney. It’s a beautiful balance of lightness and melancholy that truly defines “the Lubitsch touch,” where art directors James Basevi and Leland Fuller and cinematographer Edward Cronjager play with color and intensity to help evoke the various moods. Unfortunately, because of rather pale source material, the DVD does not represent the film in its full Technicolor glory. Extras include insightful commentary from husband and wife critics Andrew Sarris and Molly Haskell, and an audio seminar of a ’77 conversation between critic Richard Corliss and Raphaelson.

Written by Bill Desowitz

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Vicon Introduces Mobile Mocap at SIGGRAPH

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Motion capture systems developer Vicon is previewing a futuristic new “Mobile Mocap” technology at SIGGRAPH 2011 in Vancouver. Moving mocap out of the lab and into the field, Vicon's Mobile Mocap system taps several new technologies, many years in the making. At the heart of Mobile Mocap is a very small lipstick-sized camera that enables less obtrusive, more accurate facial animation data. The new cameras capture 720p (1280X720) footage at 60 frames per second. In addition, a powerful processing unit synchronizes, stores, and wirelessly transmits the data, all in a tiny wearable design.