Wednesday, April 17, 2024
Subscribe Now

Voice Of The Crew - Since 2002

Los Angeles, California

HomeIndustry SectorFilmTechnicolor PostWorks Finishes Indie Crime Thriller Dixieland

Technicolor PostWorks Finishes Indie Crime Thriller Dixieland



Technicolor PostWorks New York recently handled postproduction finishing for the new independent feature Dixieland. Colorist Anthony Raffaele worked with first-time writer/director Hank Bedford and cinematographer Tobias Datum to finalize the look of the tense crime thriller set in modern day Mississippi. The facility also handled editorial conforming and visual effects. The film was released theatrically by IFC this month.

The film explores themes of obsessive love and how poverty can force people into a life of crime. It stars Chris Zylka (The Leftovers) and Riley Keough (Mad Max: Fury Road) in the story of an ex-con and a stripper who become embroiled in a deepening criminal plot. Country music stars Faith Hill and Steve Earle co-star. The film was shot in Jackson and Pearl, Mississippi.

Dixieland Still Photography. © Khaki BedfordRaffaele worked with Datum to refine a look whose rich color palette was inspired by Kodachrome photography. “Hank and Tobias wanted to preserve the gritty texture of the film,” Raffaele explained. “Our approach was not to make it look perfect, but to bring out qualities that were already there in the imagery.”

The understated look was a good complement to Datum’s tightly-framed, hand-held camerawork. “It’s beautifully shot,” noted Raffaele, comparing the aesthetic to the experimental dramas of director Terrence Malick. “Tobias did a great job of capturing moments in unusual ways in order to build emotion and drive the narrative.”

LR-Dixieland2Intercut with the main story are short interview segments with five local people who speak directly to the camera about their lives. “We kept the interviews very authentic,” said Raffaele, “so that they contrast with principal scenes and add another layer of emotional texture.”

The interviews add to the naturalistic, almost documentary feel of the film. “We were under a tight deadline to finish the film for festivals, but I had a lot of fun working with Hank and Tobias to get it right,” Raffaele said. “Dixieland tells a powerful story and paints a portrait of a part of the South – not far from where Hank grew up – in a way that’s commanding and real.”

- Advertisment -


Beowulf and 3-D

By Henry Turner Beowulf in 3D is a unique experience, raising not just questions about future of cinema, but also posing unique problems that the...