Friday, April 19, 2024
Subscribe Now

Voice Of The Crew - Since 2002

Los Angeles, California

HomeNAB 2019: Matthew Libatique, ASC
Array

NAB 2019: Matthew Libatique, ASC

-

ICG.logo.1The International Cinematographers Guild (ICG, IATSE Local 600) is programming two events at the 2019 NAB Show at the Las Vegas Convention Center. Many ICG members will be appearing throughout the event on over 15 panels and sessions covering a wide range of industry challenges including Matthew Libatique, ASC (A Star Is Born, Iron Man, Black Swan).

Matthew Libatique, ASC
Matthew Libatique, ASC

Libatique will be speaking about his varied and innovative body of work as part of the Creative Master series in the South Hall, #S222/S223, on Monday, April 8th at 2:15 p.m. – 3:05 p.m. The two-time Oscar® nominee will explain his approach to lighting, color and a musical feel to camera movement that enhances the story and maintains narrative flow.

The following morning at 11:30 am in the North Hall Upper Meeting Room N243, the ICG, along with the American Society of Cinematographers, will host the Birds of a Feather gathering “The Cinematographic Imaging Process: Where Does it Begin and End?” The session will bring together camera, previs, post, and VFX professionals to look at how to improve cross-departmental collaboration as well as to shine a light on the role of the cinematographer within this process. There will be featured speakers – Kees van Oostrum, ASC, President, ASC; Ryan McCoy, senior previs/postvis supervisor at Halon; Jim Berney, VFX Supervisor; and Andrea Chlebak, senior colorist, Deluxe Group –as well as open discussion between all attendees. ICG Production Technology Specialist, Michael Chambliss, will moderate.

For more information please visit www.icg600.com

Editor’s Note:
Attention NAB Vendors – Please send all your 2019 NAB press release information for consideration to [email protected]

Olivia Gleichauf – Staff Editor

- Advertisment -

Popular

Beowulf and 3-D

0
By Henry Turner Beowulf in 3D is a unique experience, raising not just questions about future of cinema, but also posing unique problems that the...