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HomeIndustry SectorCommercialsSTORY's Jeff France Evokes the Summer of Love for GameStop

STORY’s Jeff France Evokes the Summer of Love for GameStop

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Jeff France directed a new campaign for GameStop inspired by the “Summer of Love.”
Warlocks, wizards and zombies let their freak flags fly in a new campaign for GameStop, directed by STORY‘s Jeff France for The Richards Group. Three new spots portray the game retailer’s current promotion “Gamestock 2012” as a “Summer of Game Love” festival.

In the main spot, “Going to Gamestock,” familiar game character types hit the road, with some piling into a rickety VW van painted in psychedelic colors, while others ride buses or hitchhike in order to take part in the “six week festival of deals and prizes.”

Two other spots feature a heavily armed warrior trying to slip through a festival security checkpoint, and a man who reacts to an unpleasant smell in a bathroom, only to discover the source of the odor is a surly zombie.

France shot the spots on a vacant fairground transformed to look like a sprawling music festival. He also cast more than a dozen actors to play various game characters. “The challenge was to find actors who possessed savvy comedic skills and who were also the right physical types,” France recalled. “Our Space Commando had this exaggerated brow and extreme military haircut. For the Warrior, we needed someone with both acting chops and an extraordinarily muscular build.”

For shooting style, France drew inspiration from the 1969 film Woodstock, an Academy Award-winning documentary. “Woodstock was 16mm and primarily handheld; a lot of ‘grabbing’ of footage,” he recalled. “We took that same approach.”

This loose filmmaking style produced some humorous moments. France shot a hitchhiking zombie (with a detachable prosthetic arm) on a road that was open to regular traffic, which led to some gawking stares from passing cars. “The actor has his arm blown off in the wake of our passing hero van, and that was essentially the end of the scene,” France recalled. “But in one take our zombie improvised and looked up at the following car, leaning toward its driver with a hysterical, puppy dog expression – still trying to bum a ride with no arm. That take was used in the cut.”

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