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Friday, July 26, 2024
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Awards
Contender Portfolios
Emmy Watch
For Your Consideration
Nominations
Columns
Above the Line Newsflash
Accidental Turitz
Director Series
End of Week Production Notes
Facility in Focus
Hump Day News Update
ICM
Making the Scene
Over the Weekend
Community
Events
Film Trailers
Footnotes
Help Wanted
Obituaries
Prime Time Softball League
Composers
Crafts
Animation
Art Direction
Camera
Choreography
Costume Design
Direction
Editing
Makeup
Postproduction
Crafts Spotlight
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Voice Of The Crew - Since 2002
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Home
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Awards
Contender Profile: The Greyhound Sound Team on Creating Authentic 1940s Sounds of War
Robin Milling
-
April 5, 2021
Awards
EMMY WATCH 2020: The Sound for the Beastie Boys Story Doc
Mun Kang
-
August 21, 2020
Community
The Batman Sound Team on Using Reverb and Pitch Shifts While Striving for Realism
Debra Kaufman
-
October 17, 2022
Awards
The Beatles: Get Back Sound Editing Team on Revisiting and Cleaning Up Audio From 50 Years Ago for Peter Jackson’s Hit Docuseries
Edward Douglas
-
June 16, 2022
RECENT ARTICLES
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CAS To Honor Jeffrey S. Wexler with Career Achievement Award
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The 57th MPSE Golden Reel Awards
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February 22, 2010
Contender Portfolios
Contender – Sound Designer/Mixer, Paul Ottosson, The Hurt Locker
Bob Bayless
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February 10, 2010
Contender Portfolios
Contenders – Composers Marco Beltrami and Buck Sanders, The Hurt Locker
Bob Bayless
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February 10, 2010
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Awards
EMMY WATCH 2020: The Sound for the Beastie Boys Story Doc
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Lord of the Rings: The Rings of Power Supervising Sound Editor Damian Del Borrello on Creating the Whispers of Eru Ilúvatar and Honoring the...
Contender Portfolios
Contenders – Composers Marco Beltrami and Buck Sanders, The Hurt Locker
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Contenders – Sound Re-recording Mixers, Greg Russell, Gary Summers and Geoffrey Patterson
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