Nominees for the 82nd Annual Academy of Motion Picture Arts and Sciences Awards were announced early this morning, and it came as little surprise that James Cameron’s wildly successful sci-fi blockbuster, Avatar scored big in both above- and below-the-line categories. The stereoscopic film, which recently surpassed Titanic as the highest grossing film of all time,... »
Features
Joe Letteri on the Visual Effects of Avatar
After supervising visual effects on massive projects such as Peter Jackson’s final two films in his Lord of the Rings trilogy, Stephen Sommers’ Van Helsing, and Jackson’s King Kong, Joe Letteri might have faced an even greater challenge with James Cameron’s Avatar. For this... »
Contender – Cinematography, Eric Steelberg, Up In The Air
As with many successful filmmaking collaborations, cinematographer Eric Steelberg has known director Jason Reitman for a long time. They met in high school through a friend and discovered a mutual interest in film. Staying in touch over the years, they began making... »
Contender – Cinematography, Barry Ackroyd, The Hurt Locker
Director, Kathryn Bigelow called cinematographer, Barry Ackroyd, in the spring of 2007. She had seen United 93, which he had shot, and wanted The Hurt Locker to have the... »
Contender – Best Foreign Film, Warwick Thornton
When one has a view of a culture that comes from within, the common belief is that such a personal view will make for a more authentic cinematic experience.... »
Contenders – Sound Re-recording Mixers, Greg Russell, Gary Summers and Geoffrey Patterson
The mission for the sound team on Transformers: Revenge of the Fallen was to top the work done on the first Transformers film, nominated for an Oscar in 2007... »
The Making of Avatar
James Cameron’s long-awaited epic fantasy Avatar is definitely “titanic” in size and scope. “It’s got a big story—that’s where it starts,” said producer Jon Landau, who also produced Cameron’s... »
Documentary Filmmaker Exposes Brutal Dolphin Hunt in The Cove
After a screening of The Cove, I was moved and impressed as well as depressed by the experience. »
Developing an Eye for Great Cinematography
The look and emotional feel of a film, more than simply a series of unfolding images, is the responsibility of the director of photography. The cinematographer, from choice of... »
A Great Year for Animation
This year has seen a bumper crop of top-notch animated films, making the competition for the Best Animated Feature Oscar particularly interesting. The award, recognizing a genre that was long... »
Grass Roots Marketing for Indie Films
The indie film business is a tumultuous, often unpredictable world, where survival is always a tenuous proposition. You can have a low-budget movie like Paranormal Experience that comes out... »
TV Everywhere—Unions, Not so much
Long time readers of this column (and hey, if that’s you—thanks!), will recall I have written occasionally, (well, at least once), of my annual treks out to Austin where... »

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