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Visual Effects Society Launches New Publication – VFX Voice

April 7, 2017 | By
Visual Effects Society Launches New Publication – VFX Voice

The Visual Effects Society (VES), the visual effects industry’s professional global honorary society, has premiered the inaugural issue of VFX Voice, the organization’s new signature print and digital magazine. VFX Voice is a quarterly printed publication, and the web version is now live at  (To get the full magazine experience online, go to “Digital... »

Oscars 2017: Moonlight Becomes Them

February 27, 2017 | By
Oscars 2017: <em>Moonlight</em> Becomes Them

One could write about the just-concluded Oscars from a Below the Line standpoint — the lack of La La Land tsunami, for example, and the interesting spread of awards — or from an Above the Line vantage, talking about the remarkable Mahershala Ali being the first Muslim actor to ever win an Oscar, for... »

Contender — The Visual Effects of The Jungle Book

February 21, 2017 | By
Contender — The Visual Effects of <em>The Jungle Book</em>

When director Jon Favreau agreed to take on Disney’s The Jungle Book, he knew that extensive computer animation would be utilized. The major question was how to integrate a live-action performer — ten-year-old Neel Sethi as Mowgli — with computer-animated animals, and talking ones, no less, per Rudyard Kipling’s original story. “In this case,... »

Sci-Tech’s Night of Digits and Horse Hair

February 14, 2017 | By
Sci-Tech’s Night of Digits and Horse Hair

  “If you ask me,” John Cho quipped during the Academy’s Scientific and Technical Awards, “you can’t make a movie without a camera.” His co-host Leslie Mann recounted that she made a camera-less movie once, on Broadway, and because nothing was ever recorded, had to say the words “over and over” every night, to... »

VES Awards: Welcome to the “Jungle”

February 9, 2017 | By
VES Awards: Welcome to the “Jungle”

When VES director Eric Roth took to the stage at the opening of the 15th-ever VES Awards, he told the overflowing room at the Beverly Hilton that we were all there to honor “the most amazing work the world has ever seen.” Well, okay, that does sort of leave things like the Sistine Chapel,... »

Annies Showcase Animation Across Myriad Media

February 8, 2017 | By
Annies Showcase Animation Across Myriad Media

Put on by ASIFA-Hollywood, animation’s top organizational body, the February 5 Annies, again held at UCLA’s Royce Hall, showcased the best in the many media across which animation has its demonstrable wingspan. For one, Max Karli, the Annie and Oscar-nominated My Life as a Zucchini producer, explained the 10-year journey to get his film... »

Visual Effects Society Announces its 2017 Board of Directors Officers

February 3, 2017 | By

The Visual Effects Society (VES) has announced its 2017 Board of Directors officers. The officers, who comprise the VES Board Executive Committee, were elected at the January 2017 Board meeting. The officers include Mike Chambers, who was re-elected as board chair. “We are fortunate to have such esteemed leadership represented on the Executive Committee,”... »

The View from La La Land

January 24, 2017 | By
The View from La La Land

So the Oscar nomination process is on the one hand modernizing: the Academy realized they no longer have to gather everyone “live” at 5 in the morning, feeding all those press minions breakfast before they head back to their newspaper offices with printed handouts, to type up stories for afternoon editions. Instead, they could... »

2017 Oscar Nominations

January 24, 2017 | By

BEST PICTURE La La Land Moonlight Manchester by the Sea Arrival Lion Hidden Figures Fences Hell or High Water Hacksaw Ridge ACTRESS IN A LEADING ROLE Emma Stone, La La Land Natalie Portman, Jackie Ruth Negga, Loving Meryl Streep, Florence Foster Jenkins Isabelle Huppert, Elle ACTRESS IN A SUPPORTING ROLE Viola Davis, Fences Naomie Harris,... »

Contender – Visual Effects, Rogue One: A Star Wars Story

January 20, 2017 | By
Contender – Visual Effects, <em>Rogue One: A Star Wars Story</em>

When plans were put in place to make a standalone movie in the Star Wars universe but separated from the originally planned nine-film saga, Lucasfilm executives knew that they needed the services of the best in the visual effects industry to merge the new worlds of the film with the familiar tropes Star Wars... »

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