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HomeCraftsCameraLitepanels a Constant for Director/DP Michael Slovis on Breaking Bad

Litepanels a Constant for Director/DP Michael Slovis on Breaking Bad

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LR-Michael Slovis, ASC chooses Litepanels on the set of Breaking Bad-email

Michael Slovis
Michael Slovis
When director/DP Michael Slovis, ASC prepped for the final eight episodes of Breaking Bad, the show’s creator Vince Gillian, Sony and AMC, as well as the entire cast and crew threw their full support behind him. This series has been nominated for more than 100 awards and won 43, including three nominations for outstanding cinematography, and it was going to go out with a bang.

“These shows were the culmination of five years of work: building characters, story lines and graphic looks,” Slovis said. “To take this visual novel to its conclusion was extremely important to me. Because the show reaches its darkest moment as the story progresses, it was natural for me to light with more contrast and darkness than before. From episode one, the conflicts are evident and we ride along with them.” When Slovis stepped from behind the camera to direct, his friend Arthur Albert took over DP responsibilities. Consistent with Slovis, he used Litepanels to support the look.

“We had locations and sets that were completely new challenges for us,” Slovis explained. “And, we also introduced some new storytelling techniques — yes even in the final season. But as always, my main concern was to do honor to the story, support the emotions without overwhelming them, and keep the actors and frames looking good in a way that was organic to the story.”

“Both Arthur and I carry Litepanels 1×1 as well as the small MiniPlus in our lighting packages,” he said. “They have always been integral in getting the look we need. They are lightweight and fast. Breaking Bad was shot with a modest budget and we needed to be efficient with every aspect of production. So the MiniPlus as well as the 1×1 Litepanels in daylight and tungsten were exactly what we needed. The fact that you could hide them on the set, or rig them without power using the batteries, was invaluable to my gaffer Steve Litecki. We often used them handheld when shooting long Steadicam shots or even rigged as a softer backlight.”

In this season premiere, director/star Bryan Cranston created a shot with Aaron Paul driving down a street. “I lit the street with a sodium vapor look and then rigged a 1×1 Litepanels as a backlight off the roof of the car and used a MiniPlus as a very small amount of front fill,” Slovis explained. “Totally battery-run, no need for cables or a small genie. Very often, they were the type of light that would get us out of trouble because they are small, light, battery-operated and run cool. It means that we could stick them almost anywhere — which we did over every episode of Breaking Bad.”

The first of the final eight episodes of Breaking Bad aired on Aug. 11. While Slovis and team are embargoed as to revealing the direction of the final episodes, all he can say is that AMC allowed them to take the audience on “one hell of a ride.”

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