“Megan just gets the production process, from start to finish,” said Hall. “Whether she’s working with agency creatives, directors, or the folks in the edit suites, she can understand their needs and unite them with a common vision. She is a natural leader who is an ideal fit for this EP role.”
Meloth is behind numerous award-winning film, long-form, directorial, animation, TV development and commercial work, including Nike’s highly regarded “Puppets,” P&G’s Olympic work, and spots for Honda’s Crosstour vehicle. She has also participated in campaigns for Volvo, Intel, Mercedes, Target, Microsoft, Acura and Lexus, working closely with directors who include Daniel Kleinman, Dante Ariola, Mike Mills, Kinka Usher, Tony Kaye, Erich Joiner, and Lance Acord.
“After 15 years in the industry, I know quality and talent when I see them, and a52 defines both,” said Meloth. “I am honored and excited that such a consistently excellent company would express such long-term faith in me. I intend to work harder than ever to continue a52’s constant evolution as a top visual effects studio.”
